Posts Tagged ‘The Who’

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In 1969, The Who released their classic rock opera Tommy, which has gone on to be considered one of the most influential rock albums of the time. Emboldened by the success of Tommy, the group decided to capitalise on their success by recording yet another rock opera, this time, one called Lifehouse. Intended to be an album that focused on a post-apocalyptic world, the original version of the album was scrapped in favour of creating a more straightforward rock album.

The album they chose to record instead was Who’s Next?, one of the group’s most famous records. Containing tracks such as ‘Behind Blue Eyes’, ‘Won’t Get Fooled Again’, and ‘Baba O’Riley’, the album was made up of abandoned ideas from Lifehouse. The group would later revisit ideas from the abandoned sessions on their record Who Are You. While we may never know what Lifehouse was going to sound like, we did manage to get Who’s Next? instead, so maybe this one was actually for the best.

This is what “Who’s Next”, the greatest official rock album ever made in my opinion, would have been with some changes and additional songs, a complete rock opera.

The resulting album “Who’s Next”, and in an ironic twist of fate the failure of the Lifehouse project made Who’s Next a greater album than it could have been as simply Lifehouse’s soundtrack. Enough material was recorded for a two-record set but the band decided to release a single album. Townshend explained:

“We were gonna do a whole thing, Then we figured it would be far better to just pick the best stuff out and make it a good, hard, rock-solid album ’cause we were afraid of doing what the Beatles did, just laying ourselves wide open like they did with their double album and making it so that there was too much, too many unlinked ideas which to the public would look like untogetherness, despite the fact that it’s always there in the background.”

Over the years, Townshend never really let go of Lifehouse. As songs from “Smile” did for The Beach Boys, bits of the abandoned project surfaced through the years, on subsequent Who albums.

  • Some of the Lifehouse songs ended up on Pete’s first solo album, “Who Came First”, including “Let’s See Action” and “Pure and Easy”.
  • “Pure and Easy” also found a home on 1974’s “Odds and Sods” album.
  • “Slip Kid” ended up on 1975’s “The Who By Numbers” album.
  • “Music Must Change”, “New Song”, “Sister Disco” and “Who Are You” were on 1978’s “Who Are You” album.

 

Tracks

00:00:00 “Pure and Easy” 00:04:22 “Baby Don’t You Do It” (Holland—Dozier—Holland) Live at the Young Vic 26/4/71: 00:09:36 “Naked Eye ” 00:15:07 “Water” 00:21:33 “Bony Moronie” (Larry Williams) 00:24:56 “Too Much of Anything” 00:29:21 “Time Is Passing” 00:32:51 “I Don’t Even Know Myself” 00:37:47 Studio Dialogue 00:38:34 “Behind Blue Eyes” New York Record Plant session: 00:42:00 “Baby Don’t You Do It” (Holland—Dozier—Holland) 00:50:22 “Getting In Tune” 00:56:57 “Pure and Easy” 01:01:31 “Love Ain’t For Keeping (Electric Version, Townshend on lead vocals)” 01:05:34 “Behind Blue Eyes” 01:09:02 “Won’t Get Fooled Again” 01:17:50 “Water” 01:22:30 “I Don’t Even Know Myself (Cancelled EP Version)” 01:26:38 “Pure and Easy” All tracks composed by Pete Townshend unless otherwise noted.

check out these sessions too,

Teenage Wasteland– Pete Townshend Going Mobile– The Who Baba O’Riley– The Who Time is Passing– The Who Love ain’t for Keeping– The Who- The album version combined with the electric outtake version Bargain– The Who Too much of Anything– The Who Greyhound Girl– Pete Townshend Mary– Pete Townshend Behind Blue Eyes– The Who outtake version I Don’t Even Know Myself– The Who Put The Money Down– The Who Pure and Easy– The Who Getting in Tune– The Who Let’s see Action– The Who Relay– The Who Join Together– The Who Won’t Get Fooled Again– The Who The Song is Over– The Who

After almost thirty years, Pete Townshend was finally able to bring some conclusion to the Lifehouse project with the release of the LIFEHOUSE CHRONICLES in February of 2000. The set consists of 6 discs including demos, the 1999 radio play and various remixes. The Lifehouse Chronicles can be purchased exclusively through Pete’s official merchandise site http://www.eelpie.com.

The Who: ‘Maximum As & Bs’ Box Set, Plus Coloured Townshend Vinyl, Set For Release

UMC-Polydor are set to issue Maximum As & Bs, a 5CD box set, which collects all A-sides, B-sides and EPs from The Who in one place for the very first time, on 27th October.

Maximum As & Bs features 86 tracks in all from the Brunswick, Reaction, Track and Polydor labels. The tracklist includes classic hits such as ‘Pictures Of Lily’, ‘I Can See For Miles’, ‘Magic Bus’, ‘Pinball Wizard’, ‘Won’t Get Fooled Again’, ‘Substitute’, ‘I Can’t Explain’, ‘Anyway, Anyhow, Anywhere’, ‘My Generation’, ‘Squeeze Box’ and many more, along with the band’s last recorded track to date, ‘Be Lucky’.

In addition, the set includes rarely heard B-sides and EP tracks, along with the group’s first single (recorded as The High Numbers), ‘Zoot Suit’, b/w ‘I’m The Face’. In all, the box features five CDs, in separate wallets, housed in a rigid, lift-off-style box along. Also included is a 48-page booklet, with track-by-track annotation by acclaimed The Who writers plus period photos and memorabilia.

Also coming exclusively to vinyl on 27th October are new editions of The Who’s first singles anthology Meaty, Beaty, Big & Bouncy and their landmark live LP Live At LeedsThe New York Times declared the latter title – which was originally released in 1970 – to be “quite simply… the best live rock album ever made.” Both titles have been cut at Abbey Road Studios in London with half-speed mastering and will be available on heavyweight, 180g vinyl.

Prior to the arrival of these new editions from The Who, UMC-Polydor are releasing remastered editions of Pete Townshend’s critically-acclaimed demo and outtake collections, Scoop, Another Scoop and Scoop 3. Reissued for the first time in a decade and a half, these albums give a unique insight into Townshend’s creative process and feature early versions of future classics by The Who such as ‘Eminence Front’, ‘The Real Me’, ‘Long Live Rock’ and ‘Magic Bus’.

As with the aforementioned titles from The Who, these Pete Townshend albums have been newly remastered at half speed, and will also be pressed on different coloured wax. Scoop will be available on pink, Another Scoop on yellow, and Scoop 3 on light blue vinyl.

All tracks recorded live for ORTF on 31/3/66 at the Music Hall de France, d’Ailleurs, Issy-les-Moulineaux”
Already 1966 has been a busy year for the Who! They have taken their unique mix of pop and r’n’b all over the UK, from The Two Puddings Club, Stratford to the Coed Eva Community College, Cwmbran and all points in between. And now it’s time to extend the entente cordial across the channel to show les mods what they’re missing!.

Our boys are in sparkling form here on rockin’ versions of recent chart hits Substitute and My Generation, backed by a lively take on Dancing In The Street (Martha and the Vandellas). Not forgetting Barbara Ann (the Beach Boys), a showcase for Keith Moon’s inimitable singing style as well as his love for everything surf-related. So West Coast pop, Detroit soul and West London raunch – the ingredients for a tasty rock’n’roll stew, which we hope will get your taste buds watering!

 

Limited box containing five 7″ vinyl singles. This is Volume Two of a four part set of Who singles by labels (Brunswick, Reaction, Track and Polydor). The five singles from the Reaction label – originally released between March and December of 1966 – are repressed here on heavyweight vinyl with sleeves reproducing the period graphics with die-cut center holes. Includes remastered versions of Who classics – ‘Substitute’, ‘Happy Jack’, ‘I’m a Boy,’ the Ready Steady Who E.P. and others. Housed in a full color rigid outer box, 7′ sized 8-page color booklet with liner notes about each release. Liner notes by Who biographer Mark Blake.

The Who / Tommy Live at the Royal Albert Hall

The Who performed their rock opera Tommy live and in its entirety, for the first time back in April this year, at the Royal Albert Hall. That concert is being issued on DVD and blu-ray with the audio available on CD and vinyl packages.
The performance of the 1969 album was in aid of Teenage Cancer Trust, a charity Roger Daltrey and Pete Townshend have supported for a very long time. The band have performed Tommy in the past, but crucially they always dropped a handful of tracks. This time it was different and the whole album was performed – and enhanced by specially created animations. After the performance, the band (inevitably) treated the audience to a short set of Who classics!

The Who – Tommy Live At The Royal Albert Hall is release on all formats on 13th October 2017. The audio from this special occasion is being issued on two-CD and three-LP vinyl, while the entire concert is being issued on blu-ray and DVD. Interestingly, there are no audio/video ‘bundles’ or deluxe editions

On 1st April 2017, The Who took to the stage at London’s Royal Albert Hall to deliver a blistering performance of their legendary rock opera, Tommy. Written by Pete Townshend almost 50 years ago, the full length piece had, until then, never been performed live by the band. In a rare treat for fans, The Who decided to perform Tommy for the first time ever in its entirety for their participation in the annual Teenage Cancer Trust benefit shows. These shows are produced every year by Roger Daltrey at the iconic Royal Albert Hall to raise essential funds for the specialist treatment of young people with cancer.

Music video by The Who performing Tommy Live At The Royal Albert Hall.

Even today, The Who are one of the most prolific rock bands in the history of rock n’ roll. From Roger Daltry’s dazzling vocals, to Pete Townshend’s iconic windmill guitar playing style, The Who have managed to remain relevant decades after their debut.  The Who delivered performed two classic tracks the rock outfit opened with “I Can See for Miles” from 1967’s The Who Sell Outtreading deftly through the track’s simmering verses and building to each bombastic chorus. Before the final refrain, guitarist Pete Townshend even pulled out his best trick, unleashing a nifty triple windmill.

Check out their amazing performance Music guest The Who performs “I Can See for Miles” for the Tonight Show audience.

Recently, The Who made an appearance on The Tonight Show With Jimmy Fallonand proved they’ve still got it with an electrifying performance of their smash hit “I Can See For Miles.” The band sounds as tight as ever, with Daltrey’s voice sounding as great as it did in 1981, and Pete even busts out his signature windmill. Fallon’s “Tonight” crowd is mesmerized throughout the entire set, and although The Who don’t smash their instruments and destroy the stage like they used to, they still managed to bring a hell of a lot of energy!

The Who then jumped forward a few decades for a performance of “You Better You Bet” off 1981’s Face Dances. Amidst the steady guitars and twinkling synths of the pop rock tune, singer Roger Daltrey delivered mighty vocals.

Music guest The Who performs “You Better You Bet” in this exclusive Tonight Show performance extra.

'The Who Sings My Generation'

The WHO – My Generation (1965) debut album

The Who…  The vinyl reappearances of My Generation (the U.K. edition), A Quick One  and the glorious The Who Sell Out simply catapulted me back to the age of 14 when these albums were the most important to ever come into my life.  To revisit them they way I first heard them was as thrilling now as it was then – except now, I’m 50 years old, Keith and John are long-deceased and Pete and Roger are celebrating their 50th anniversary as The Who.  Nonetheless, these three albums should be the cornerstone for teaching your children about rock & roll, about playing guitar, plus the first steps to songwriting and are for all time, essential listening:

My-Generation-SDE-3D-Packshot600 (1)

Super Deluxe Edition featuring unreleased songs, demos, mixes, remasters, new notes from Pete Townshend, an 80-page book, rare memorabilia and much more!

5-CD Super Deluxe box set, 3-LP Edition* and 2-LP Edition*

In the half century since its release The Who’s debut album “My Generation” has lost none of it’s raw visceral power and still stands as the ultimate musical declaration of teenage rebellion. The title track alone has been covered innumerable times by the likes of Oasis, Green Day, Patti Smith, Billy Joel, Alice Cooper and Iron Maiden amongst many more. Back in 1965 the band were considered to be so dangerous that the tailors tasked with turning a Union Jack into a pop art mod jacket for the cover feared that they would be jailed for desecration of the nation’s flag.

Brunswick Records first issued My Generation in the UK in December 1965, and later in the US, under the title The Who Sings My Generation, in April 1966. It was produced by Shel Talmy who shot to fame with his work with The Kinks, a group that the teenage Pete Townshend admired greatly.

During a break in touring in 2015 Pete Townshend discovered tapes in his audio archive featuring previously unheard demos for the album which also included three totally unreleased songs that the other members of The Who hadn’t ever even heard, ‘The Girls I Could Have Had’,  ‘As Children We Grew’and ‘My Own Love’.

The spectacular 79-track five disc super-deluxe edition features these unheard songs as well as unreleased demos, unreleased alternate mixes, new remasters and a stereo remix which was created using new overdubs from Roger Daltrey and Pete Townshend. For this mix Pete used exactly the same guitars and amps as the original album and Roger used the same type of microphone.

The super deluxe edition also features a stunning 80-page colour book with many rare and unseen period photos, candid and insightful new notes from Pete Townshend and period memorabilia.

Of the super deluxe box set Pete Townshend commented “Gathering these demos for this collection has been enjoyable; it’s wonderful for me to have these tapes made fifty-two years ago to listen to. I hope you enjoy them. They have a naiveté and innocence, a simplicity and directness, and an ingenuousness that reveals me as a young man struggling to keep up with the more mature and developed men around me. What an incredible group of strong, talented, young and engaging men they were!”

From the 5th January 1966 UK TV show, “A Whole Scene Going”.

The Who

47 years ago tonight, The Who performed at Leeds University in Leeds, UK on February. 14th, 1970. The recording of this landmark concert became known as the greatest live album in Rock history

Classic Rock photographer Ross Halfin is an avid record collector – especially when it comes to The Who. He owns multiple versions of the band’s classic Live At Leeds album, and here he tells us through ten different versions of them.

The Who’s “Live At Leeds” is among the greatest live rock album of all time, The original on vinyl is way better than the uncut, remastered version, which is too much. It goes on for too long. The original edit by Pete Townshend captures all the dynamics of The Who as a band. And the vinyl release sounds better.

In England, there were three variants of “Live At Leeds”. The first came out with a black-stamp cover, and the first 1,000 copies of it had the ‘Maximum R&B’ poster from The Who at the Marquee [in 1964] inside. There have been versions with blue stamps and red stamps as well.”

Image may contain: 1 person, on stage, playing a musical instrument and standing

There have been Taiwanese versions, Spanish versions, a Peruvian version with a picture of Townshend jumping on the cover… The critic Nik Cohn, who inspired Pinball Wizard and wrote the article that became Saturday Night Fever, reviewed “Live At Leeds” for the New York Times, and called it a “hard rock holocaust”. The hardest version to find, then, is the one that came out in Israel with Cohn’s quote translated into Hebrew on the cover. It had to be withdrawn.

Since its initial reception, Live at Leeds has been cited by several music critics as the best live rock recording of all time

Cheapest price yet for the recent The Who Track Records seven-inch vinyl box on Amazon UK at present…

This is the third in a series of singles box sets and contains music from the band’s Track Records era – featuring 45s like Pinball Wizard, I Can See For Miles and Won’t Get Fooled Again. The 15 singles are all pressed on heavyweight vinyl with paper sleeves, and are housed in a rigid ‘lid-and-tray’ outer box. This also comes with a 20-page colour booklet with liner notes about each release

A fantastic box set, obviously not a original idea, the music speaks for itself, the format is one of individual choice, but I do love a good 7″ vinyl box set.
The labels, the sound, the total number of singles this box gives you is good value for money, divide the cost between the fifteen singles and it doesn’t seem so bad.
The booklet could of been better, maybe a few more unreleased photos, but it gives you the scope on each 7″,
The only other disapointment is the plain sleeves on the singles, except for the two picture covers, they look so boring, they could of just used a corner stamp with the Track logo….but white plain sleeves make this box set look slightly cheap
The Track Records Singles Box 1967-1973 [7" VINYL]

The Track Records Single 1967 – 1973 is volume three of a four part set of classic Who singles pressed on heavyweight vinyl with paper sleeves , rarely heard b-sides , 7” sized 20-page colour booklet with liner notes about each release and period memorabilia. The 15 disc set also features classic hits –‘Pictures of Lily’, ‘I Can See For Miles’, Magic Bus’, ‘Pinball Wizard’, ‘Won’t Get Fooled Again’ and ‘Join Together’….

The Who / The Polydor Singles 1975-205

Volume four of a four part set of classic Who singles by labels (Brunswick, Reaction, Track and Polydor), released to coincide with the band’s 50th Anniversary. 15 x 7” singles from the band’s Polydor Records era (1975-2015) – pressed on heavyweight vinyl with card picture sleeves (where applicable) reproducing the period graphics front and back. Includes classic hits –‘Squeeze Box / Who Are You / You Better You Bet / Eminence Front (scheduled for release in the UK where sleeves were printed but never released) / ‘Real Good-Looking Boy’ & ‘Be Lucky’  The single that never was Eminence Front is included here which is a standout song from the circa Kenney Jones era. Ive always preferred Who Are You album version opposed to the single edit. 5:15/I’m One is ok with remixed versions from the original 1973 sessions by Entwistle for the Quadrophenia film soundtrack

1. ‘Listening To You/See Me, Feel Me’ b/w ‘Overture’
2. ‘Squeeze Box’ b/w ‘Success Story’
3. ‘Who Are You’ b/w ‘Had Enough’
4. ‘Long Live Rock’ b/w ‘I’m the Face’, ‘My Wife’ (live)
5. ‘5.15’ b/w ‘I’m One’.
6. ‘You Better You Bet’ b/w ‘The Quiet One’
7. ‘Don’t Let Go The Coat’ b/w ‘You’
8. ‘Athena’ b/w ‘A Man Is A Man’
9. ‘Eminence Front’ b/w ‘It’s Your Turn’ (This single was scheduled for release in the UK. Sleeves were printed but it was never released. It was to have been Who 7.)
10. ‘Twist and Shout’ b/w ‘I Can’t Explain’ (Both live)
11. ‘Won’t Get Fooled Again / Bony Maronie’ (Live at Young Vic)
12. ‘Join Together’ b/w ‘I Can See For Miles’ and ‘Behind Blue Eyes’ (All three tracks live from 1989 US tour)
13. ‘Real Good-Looking Boy’ b/w ‘Old Red Wine’
14. WIRE & GLASS (EP) ‘Sound Round’, Pick Up The Peace’, Endless Wire’, We Got A Hit’, ‘They Made My Dream Come True’, ‘Mirror Door’. Polydor 1702801. Released 24 July 2006
15. ‘Be Lucky’ b/w ‘I Can’t Explain’ (remixed)


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