Posts Tagged ‘The Gooch Palms’

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Ask anyone who menstruates, and they’ll tell you the same thing: It sucks the big one. Still, if there’s any band that can spin a negative into a positive, it’s Newcastle’s finest export. Drummer Kat Friend takes the lead on this rousing, defiant rocker – and when backed up by a fellow menstruator in Totty‘s Kelly Jansch, she sounds more or less unstoppable. Spinning their usual jangle-rock into something a bit slicker and tougher, “Busy Bleeding” is the sound of The Gooch Palms broadening their horizons and expanding their palette. It’s unexpected, but that’s what happens when you’re seeing red.

Band Members
Leroy & Kat

Out now on Ratbag Records!

Anyone fortunate enough to have caught The Gooch Palms live knows there is a lot more going on than the post-Punk Rock pastiche that a casual first listen might suggest. Trackside Daze was written by The Gooch Palms and recorded while the duo had a couple of days off on their recent US tour in San Francisco with engineer/producer Bob Marshall at Bauer Mansion (home of other great artists such as Thee Oh Sees, Ty Segall and Mikal Cronin). Trackside Daze is the first single from the double A-side 7” to be released on Detroit label Urinal Cake Records

From the finely calibrated bogan-chic aesthetic to the casual comic banter (vocalist-guitarist Leroy McQueen and drummer-vocalist Kat Friend are partners in life as well as music), the Novocastrian duo proffer pop-punk as performance art: inimitable, iconoclastic, tongue-in-cheek and fun as hell.

You’ll find that the party starts at the level of sublimely savvy songwriting. “Introverted Extroverts” recorded in “butt-fuck-nowhere Michigan” during a two-week hiatus from touring the States in 2015 — picks up where its predecessor Novo’s left off, reinvigorating Gooch Palms‘ lovingly lo-fi sound without reinventing it. The Ramones remain a major touchstone, but so too does melodic 1960s pop, as evidenced by the relatively downbeat Invisible Man and the demented Frankie Valli-esque “Ai-yie-yies” on the excellent Trackside Daze.

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Elsewhere the album sparkles with hooks and licks; every song sounds like a new anthem for revellers both too drunk and not yet drunk enough to call it a night. “It’s gonna be ok — just dance,” McQueen and Friend insist on Living Room Bop; “Raise your glass and cheer” is the catchcry of GPBNO, both tracks celebrating living life ecstatically, in the moment. The band claims Introverted Extroverts is “the catchiest album you’ll ever hear in your whole entire life” — that characteristic piece of comic hyperbole may actually be pretty close to the truth.