Posts Tagged ‘The Asteroid No.4’

The Ninth studio album In honor of their 20th anniversary, the psych veterans The Asteroid No. 4 return with eight new songs merging paisley vibes with fluid shoegaze moves and dots and dashes of ’60s-style psychedelia.

The Asteroid No.4 are an American psychedelic band based in the San Francisco Bay Area. Originating from Philadelphia in the latter half of the 1990s, the band began their relocation to the west coast in 2011.

Since forming, the band has endured several lineup changes. Over the last ten years, however, they have consistently included Scott Vitt (vocals, guitar), Eric Harms (guitar), Adam Weaver (drums, vocals), Matty Rhodes (bass, vocals), Ryan Carlson van Kriedt (guitars, vocals), and most recently, Nick Castro (keys, guitars, vocals).

The band is known for their dynamic live act, integrating multi-textured guitars and reverb-drenched vocal harmonies over an unwavering rhythm section. However, it’s been their prolific recording output, including what will soon be their ninth full-length album, that’s helped build their dedicated fan base within the flourishing underground psychedelic scene. With well over a dozen compilation appearances, digital-only rarity releases, and multiple singles and EPs, the band is said to improve with each release.

The Asteroid No.4’s sound has been called a “hypnotic hybrid of several different genres filtered through the kaleidoscope of all things psychedelic.” Whether it be “Krautrock”, “shoegaze”, folkrock, or even the occasional dabbling in “Cosmic” countryrock, the band have never shied away from wearing their influences squarely on their sleeves.

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Asteroid No. 4’s trip into druggy space rock, but its sophomore release is the band’s ode to ’60s garage. The “Psychedelphia” quintet’s rock is stripped down from its effects-laden guitars, drawing from the likes of the Kinks, Nick Drake, and the Who. Several tracks, such as the upbeat “Monday Morning Gloom,” are closer to traditional rock & roll, while “Poor Man’s Falls” avoids electric guitar altogether, opting for flute-assisted folk. Of course, there are still psychedelic elements in the band’s agenda (perhaps encouraged by the production of the Lilys’ Kurt Heasley). These constants come in the form of gleeful harmonies, Byrds-esque guitars, and Mellotron. Surely enough to fulfill the needs of the psychedelia enthusiast.

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