There was a lot of great pop music in the 1960s, and Birmingham psychedelic rock band The Move are often overlooked among the rush. They never made an impression in the US where the band they morphed into, Electric Light Orchestra, were much more successful. A lot of British bands left their best material off studio albums, and only put it on singles. The Beatles had enough great material to get away with it, but The Move hurt their album legacy by never including gems like ‘Blackberry Way’ and ‘Night of Fear’ on their albums.
Perhaps due to this policy, The Move were a very successful singles band, especially early in their career. Five of the first six Move singles placed in the UK top 5, with ‘Blackberry Way’ reaching No#1.
We are proud to be kicking off our reissue program of classic titles by 60s rock band The Move.
“Move” Released March 1968
‘Move’: The classic 1968 debut album by The Move comes in 2 formats: a 3 Disc Remastered & Expanded Deluxe Edition and a Standard Edition. The 3 CD Deluxe edition focuses on the Mono mix of the album, but has also been expanded to include 52 bonus tracks encompassing stereo mixes of the album tracks, previously unreleased tracks from the band’s very first recording session in January 1966, unreleased tracks from an early appearance on regional radio and 19 tracks drawn from BBC radio sessions recorded between January 1967 and January 1968. It also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Mark Paytress and also includes a poster.
“Shazam” Released February 1970
Shazam’: The classic 1970 album by The Move is available as a 2CD Remastered & Expanded Deluxe Edition and a Standard Edition. The 2CD Deluxe edition has been expanded to include 37 bonus tracks encompassing the singles ‘Wild Tiger Woman’, ‘Blackberry Way’ and ‘Curly’ and alternate mixes. Significantly, 23 tracks recorded for the BBC between May 1968 and November 1969 are also included; 12 of which appear on CD for the first time. It also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Mark Paytress and also includes a poster.
“Looking On” released December 1970
‘Looking On’: a newly re-mastered and expanded 2CD edition of the classic 1970 album by The Move, Looking On. expanded to include 14 bonus tracks encompassing the single B-side ‘Lightnin’ Never Strikes Twice’, alternate mixes, and seven tracks and two interviews recorded for the BBC in 1970, all of which appear on CD for the first time. Also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Mark Paytress and also includes a poster.
‘Something Else From The Move’
‘Something Else From The Move’: This newly expanded and re-mastered edition of the classic 1968 live recordings made by The Move at the legendary Marquee Club in London is now available as a Remastered & Expanded Edition. In 2007 the original multi-track master tapes were re-mixed and pieced together to present as full a record of The Move’s Marquee performances as possible. Now these stereo tracks are gathered, along with the five mono mixes that formed the original 1968 EP on a CD version of “Something Else from the Move”. The release is newly presented in a single digi-pack with illustrated booklet and liner notes.
The first 2 of our 4 The Move titles are released now “Move” and “Shazam” both deluxe versions come with tons of unreleased, BBC extras material etc and have lovely packaging courtesy of Phil Smee. (who is a massive fan too) . There are also vanilla remastered versions available too.
Esoteric Recordings have done an amazing job on these reissues of the first two albums of The Move – lovely looking and sounding packages with stacks of quality bonus material. Reissues of the year so far? The Move occupy a funny place in rock history. With a string of inventive and relentlessly tuneful singles to their credit (not to mention consistently entertaining albums) they’re the sort of band that should be mentioned in the same breath as the Kinks and the Who, but ask your average punter under forty to name one of their songs and you’re unlikely to get anywhere Add to that the Jeff Lynne connection, and you’ve got an instant recipe for footnote status.
These two new reissues from Esoteric Recordings provide further proof of just how unjust this situation is. What we have here are packed, deluxe editions of the band’s first two albums. There have been plenty reissues of this material already, often haphazardly and carelessly assembled. Likely this is another reason for the Move’s legacy being somewhat lesser than it should be, but these two releases are lovingly curated gems that treat the source material and the fans with the respect that they deserve.
Each is available in a single disc ‘vanilla’ edition, containing the original albums with contemporary a & b sides as bonus tracks, or densely packed, nugget-laden deluxe editions which are a true collector’s dreams.
The self titled debut and its surrounding singles (“Night of Fear” and “Flowers in the Rain” etc.) are concise psychedelic pop gems that marry Beatlesque melodies and arrangements with often unhinged source material ala Syd Barrett. Just the ticket for those who find the Beatles too straight and wish that Syd was a little more tuneful, although you’re speaking to the wrong person if you’re looking for an impartial critic of either of those acts here. Recorded over the space of 14 months it’s no wonder that it feels almost like a hits collection. Three cover versions (of tunes originally by Eddie Cochran, James F. Hanley and Moby Grape) illustrate the band’s diverse influences, but it’s Roy Wood’s own compositions that really take this to the next level. Hugely catchy, with clever, often baroque arrangements (which demonstrate just how important Wood’s contribution to ELO would be in the future), these are classic examples of the two and a half minute pop song, peppered with just the right amount of psychedelia and English whimsy. And that thunderous bass really sets them apart from the pack.
There’s also a brace of pre-psychedelic tracks from 1966 when the band were a straight beat act, which are fascinating listens in their own right, while also demonstrating just how much the band’s distinctive sound developed over the following year.
The Move were a very successful singles band, especially early in their career. Five of the first six Move singles placed in the UK top 5, with ‘Blackberry Way’ reaching #1.
The early Move single that failed to chart was ‘Wild Tiger Woman’. Released in August 1968 it was heavier than most of the band’s material, influenced by Jimi Hendrix. It was banned from BBC Radio One due to the line “tied to the bed, she’s waiting to be fed”. The group later stated that they should have released the single’s b-side, ‘Omnibus’, as the a-side.
‘Omnibus’ is enjoyably quirky, and distinctly English. Omnibus was originally the word for a large horse-drawn carriage, and the word bus is a contraction of omnibus. ‘Omnibus’ is sophisticated, with unexpected melodic twists, while the closing guitar solo hints at Bach’s ‘Jesu Joy of Man’s Desiring’. Like most of The Move’s material, ‘Omnibus’ was written by Roy Wood – along with The Move’s hits, he’s perhaps best known for the Wizzard’s seasonal glam song ‘I Wish It Could Be Christmas Everyday’.
The combination of loud guitars, pop melody, and vocal harmonies are surprisingly similar to the records that Cheap Trick would make almost a decade later. Cheap Trick are clearly fans of The Move – they’ve released their own covers of ‘California Man’, ‘Brontosaurus’, and ‘Blackberry Way’.
“Shazam” is a totally different beast, but still obviously the work of the same band. And it’s every bit as good as its predecessor too.
Moving on from the short-form pop songs found on the Move (excepting the lovely “Beautiful Daughter”), this is the Move as a heavy proto-prog band, a shoe that fits surprisingly well. All of the things that made the first album so appealing are still evident here – the distinctive harmonies, the huge bass (now played by Trevor Burton) – but there’s less reliance on the studio, and more of a focus on band interplay, which is uniformly impressive. There are some pretty heavy moments here (the surprisingly bluesy “Don’t Make My Baby Blue”), but it never gets clumsy or heavy-handed, and there are reprieves peppered throughout in the form of exquisitely harmonised choruses, not to mention the classical middle section of “Cherry Blossom Clinic Revisited”. Wood only has one new original to offer, but the covers are so well assimilated you’d swear he’d written them too if the source material wasn’t so familiar.
The bonus tracks on the single disc edition show that Wood still had some classic single-worthy material in him too, including their sole UK number one, the Beatlesque “Blackberry Way” and the appealingly jaunty “Curly”. Also addended to the multi-disc version are a treasure trove of BBC recordings in very fine fidelity, which again demonstrate the Move’s mastery of a multitude of styles, as well as their ability to tackle some pretty intimidating source material and not lose their own sense of identity. Great things abound here, but the highlights for this listener are surprising stabs at popular murder ballad “Long Black Veil” and the Nazz’s “Open My Eyes”, as well as a great take on Dusty Springfield’s “Goin’ Back”, which flexes it’s muscles and makes the Byrds version sound like a bit of a pipsqueak .
It’s refreshing to see two such accomplished albums expanded so comprehensively, yet still in a fashion that accentuates their excellence, rather than diluting it down with unnecessary mixes and material best left on the cutting room floor. If these aren’t the best expanded editions released this year, I’ll be very surprised. I can’t wait to check out Esoteric’s treatment of the rest of the band’s catalogue now.
The second pair of Esoteric Recordings “The Move” reissues are released on 27th May, this will be “Looking on” and the full album version of Something Else from the Move . “Looking on” is a double and is only available as double deluxe version . Full track listings can be found on the Esoteric or Cherry Red Website . Hope you will be enjoying the new issues of Move and Shazam.
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