Posts Tagged ‘Scott Gorham’

To celebrate 50 years of Thin Lizzy Universal Music are proud to announce the first instalment of an archive release programme that will cover the career of one of the most iconic and respected bands of the 1970s.

“Rock Legends” is a six CD one DVD Super Deluxe Edition that features 99 Tracks in total, 74 of which are unreleased and 83 of which have never been released on CD or streaming. It is simply the ultimate Thin Lizzy boxset. Rock Legends’ covers the bands whole career over 6 discs newly mastered by Andy Pearce encompassing a raft of unreleased material including demos, radio sessions, live recordings and rare single edits. The track listing has been compiled by Thin Lizzy guitarist Scott Gorham and Lizzy expert Nick Sharp from a collection of newly discovered tapes most of which have never been heard before.

‘Running Back (Demo)’ is a previously unreleased track taken from Thin Lizzy‘ forthcoming “Rock Legends” box set.
The song is from the band’s breakthrough Jailbreak album from 1976 and was for a time being considered as the first single before Thin Lizzy opted for ‘The Boys Are Back In Town’ (good choice!). This unheard demo features saxophone which was not used on the released version, as well as some alternate vocals, guitar takes and keyboard parts.

The box is housed in a 10” x 6” slipcase and in addition to the six CDs contains a DVD with the hour long ‘Bad Reputation’ BBC documentary and the band’s legendary performance on the Rod Stewart ‘A Night on the Town’ TV Special from 1976. This DVD looks good too. As well as the Bad Reputation documentary which went out on BBC Four a few years back, we get four songs – ‘Jailbreak’, ‘Emerald’, ‘The Boys Are Back In Town’, and ‘Rosalie/Cowgirl Song’ – that were recorded for Rod Stewart’s A Night On The Town TV special in 1976. Just think about that for a minute, Rod and Philo and a night on the town. I’d say there wasn’t a bottle of plonk to be had for a square mile.

The set also contains replicas of the bands tour programmes bound into a hard-backed book, the very sought-after Phil Lynott Poetry books, 4 prints by legendary Lizzy cover artist Jim Fitzpatrick and a book containing quotes by all the members of the band about their experiences playing with Phil Lynott and Thin Lizzy. It also has a selection of famous fans such as Slash, Lemmy, Joe Elliot, Geddy Lee, James Hetfield, Ian Gillan, Henry Rollins, Billy Corgan, Bobby Gillespie, Craig Finn, John McEnroe and Pat Cash talking about the band.

On top of all of this, the full trailer for the life of the band frontman has been released on what would have been his 71st birthday. The synopsis reads: “Phil Lynott: Songs For While I’m Away is a feature documentary on the life and music of Phil Lynott, telling the story of how a young black boy from working class 1950’s Dublin, became Ireland’s greatest rock star.”

Thin Lizzy have been eligible for induction into the Roll Hall of Fame since 1996 – by which time iconic leader Phil Lynott had already been dead for a decade. Thin Lizzy’s best record was a double live album

They’ve finally been nominated for the honor as part of the Should they receive the nod, Lynott will be inducted along with Scott Gorham, Brian Downey, Brian Robertson and Eric Bell.

Although Thin Lizzy’s moment in the spotlight didn’t last long, that doesn’t mean they’re not worthy of induction. If anything, their achievements during a relatively short run of success should be an argument in their favour. Here are five more reasons they should be honored.

It wasn’t just the fact that as an Irish group working through the period known as The Troubles,” when people in parts of the island lived under the watchful eyes of armed cops and soldiers and waited for the next terrorist atrocity. For Thin Lizzy to feature both Catholics and Protestants, thus crossing the religious divide at the center of the dispute, was remarkable in any part of the world touched by terrorism.

Inspired by Irish folk tales and the kind of gallows humor to be expected from those who grow up against a background of disorder, Lynott became a significant working-class poet, expressing in a few verses the kinds of meanings and feelings that commentators could (and did) take thousands of words to explore. While Thin Lizzy were predominantly known for fast hard rock songs, those lyrics helped introduce the concept of ballads – that is, songs that tell stories about people – to an audience not always open to the idea. “I still hear the wind whistling through the wild wood, whispering goodbye” (from “Philomena”)… “Valentino’s in a cold sweat, but he lost all his money on that last bet / Against all the odds he smokes another cigarette” (from “Waiting For an Alibi”) … “She’s got the pleasure, comes from all the cornerstones of the world / She’s so fantastic, she’s everybody’s favorite little record girl” (from “Rosalie).

As if his lyrics weren’t musical enough on their own, the construction of Thin Lizzy’s music was also remarkable. While they didn’t invent the twin-guitar approach to rock, they most certainly developed and refined it and took it to a new audience. With the words and music providing such a strong structure, it’s no surprise that the band were at their best on stage, transmitting emotions in sound and movement. So it’s also no surprise that Thin-LizzyLive and Dangerous”, while far from being the first successful live album in rock history, remains regarded as one of the best.

‘Are You Ready?’ is a song so taut and single-minded, so devastatingly exciting, that if a band can follow it, then they deserve to be on the stage. ‘Are You Ready?’ doesn’t appear on any of Thin Lizzy’s studio albums. It was released on the 1978 album Live And Dangerous, “recorded” (the inverted commas are important) in London in 1976 and Toronto in 1977. Live And Dangerous might not be the best live album ever made, but it’s the best album Thin Lizzy ever made, a double album that’s pretty much a pleasure from start to finish, and a live album without any of the manifold vices that traditionally afflicted such records: no 20-minute solo spots, little in the way extended interaction with the crowd, no radically inferior reworkings of beloved songs in order to keep the band mildly interested in their 3,923rd performance of it.

He seemed to see further than most, with the poet’s eye and the musician’s hands; and yet he struggled with his own demons and died aged just 36 as a result of drug addiction. While the tragedy remains raw to many, it’s one that reflects so many of the fairy-story tragedies that inspired him. If he’d been able to write a song about his own rise and fall, it would doubtlessly have been one of his best; and maybe some people hear parts of that unwritten song when they listen to the words he left behind today. That’s why he remains admired at the level of John Lennon Lemmy Kilmister and others of that ilk – he lived and died as the type of folk hero he wrote about.

Where did he get his Lynottness from? It’s worth noting that Celtic mythology and society often operated within a matriarchal structure and strong women were no rare thing in his world. Most notable was his mom, Philomena Lynott, who died aged 88 in 2019, and led a life ever larger, probably, than Phil did himself.

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Fighting off the apparent disgrace of giving birth to a mixed-race child out of wedlock, Philomena fought and fought and never gave up. And although she wasn’t able to save her son in the end, many of the musicians who passed through the Thin Lizzy family, or indeed stayed in the hotel she once ran (including the Sex Pistols, whom she called “nice-mannered”) had cause to look up to her as a mother figure.

Right up until her passing she continued to battle to keep Phil in the spotlight. It’s enough of a shame that he didn’t live long enough to see his band nominated for the Hall of Fame; it’s an almost poetic tragedy that Philomena didn’t either. Still, better late than never.

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http://www.youtube.com/watch?v=Ux9405qQzao

THIN LIZZY’s Black Rose was released 13th April 1979, The British Rockers were at their peak when they released this their Ninth studio album which headed straight into the UK charts at No 2 with a distinct Celtic appeal on some of the songs the title track “Roisin Dubh” consists of traditional songs arranged by Lynott and Moore the latter amazing complex solos . Way back in 1970 the band set out as a trio of Eric Bell on guitars, Phil Lynott on Bass and vocals and Brian Downey on drums. Four year later the band had re-invented themselves as a dual guitar rock band powered quartet. Bell had left and new guitarists Scott Gorham and Brian Robertson traded licks.
In 1978 after the LIVE and DANGEROUS live album Irish Guitar hero Gary Moore joined as Robertson left the band. Moore has been in Lizzy previously, the sessions that produced BLACK ROSE with the contrast of Moore shredding guitar solos and Gorham’s more low key style bought together the band as they took on songs “Do Anything You Want To” plus the hit single “Waiting for An Alibi” plus the sombre “With Love” and the track “My Sarah” a song Lynott wrote about his then new baby daughter this was Lizzy at their best and standard Text Book rock songs “Toughest Street in Town” about substance abuse BLACK ROSE proved to be one a classic rock album of the 70’s and one of Lizzy’s best sellers with Gary Moore’s parallel star power and his guitar playing surely added to the quality of this album. The Album has been re-issued with extra tracks from the Nassau sessions “Dont Believe a Word” the slower version of had been on many a bootleg.