Posts Tagged ‘Saddle Creek Records’

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Icky Blossoms’ “Living in Fiction” reminds me of the Faint—which makes sense, since Icky Blossoms hail from the same Nebraska state that the Faint did, and they’re releasing records on the label the Faint did as well, Saddle Creek. This tune is a little sweeter than the Faint’s corroded electro-punk, but it still has plenty of bite. It’s from the band’s new LP, Mask, out May 14th. “‘Living In Fiction’ came about in the summer heat of 2014,” the band told us. “We were playing around on an acoustic guitar on Nik’s roof in Omaha, NE when out popped the melody. A weirdo pop jam for cruising around, messing around, night swimming, and ______. You ever get the feeling you’ve been cheated?” All the time, Icky Blossoms—all the time.

 

Icky Blossoms

Three years on from their Dave Sitek (TV on the Radio) produced debut, their singular brand of mesmerizingly contradictory dance music has evolved. Blending avant-garde elements with catchy and danceable pop, threaded within dark, bass-heavy atmospheres, their songs nod to great music of the past, whilst firmly propelling them into the future.

For the new album Icky Blossoms continue with their study of synthesizers and drum machines, finding new focus by exploring the space between their background in basement rock shows and their new-found fluency in electronic music. They spent a year crafting the next evolution of their sound, maintaining their core of throbbing electronic grooves, but working to blend it with the drums, bass, and screaming guitars of their chaotic live show.

Hailing from Omaha, Nebraska, the three members of Icky Blossoms – Sarah Bohling (vocals/synth), Nik Fackler (lead guitar/vocals) and Derek Pressnall (guitar/vocals – also of Tilly and the Wall) – wrote independently and then filtered songs back and forth through each other, creating a collage of tastes, genres and energies within each track. The band experimented with making electronics sound organic and organic instruments feel electronic. Song skeletons were embellished with tuned 808’s, hyper-effected mouth noises, screams as instruments, and guitars run through synthesizers. Soon the demos had mutated to a point of being studio-ready.

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With the talent of longtime friend and collaborator Mike Mogis (Bright Eyes, Julian Casablancas, Man Man, First Aid Kit) at ARC Studios in Omaha, Nebraska, these songs became fully realized. Along with Mogis, the contributions of assistant engineer Ben Brodin (Conor Oberst band), bassist Graham Ulicny (Reptar), drummer Daniel Ocanto (Big Harp) and Todd Fink (The Faint) helped the vision come into focus.

The Last album Mask finds the band capitalizing on the spontaneity of their live experience and the ambitions of their writing and recording process, while not losing their sense of self. Their influences range from Fad Gadget to Beyonce and the subject matter varies from wrestling with the isolation of existence to the emotional spectrum of love. The album pulses with a vibrant sound that’s electric, confident, and new.

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Orenda Fink is an American musician on Saddle Creek Records. Born in Birmingham, Alabama, United States, Fink was half of the Southern dream pop duo Azure Ray

Have you ever felt alone in a big city? Have you ever seen pain on a stranger’s face but couldn’t figure out a way to acknowledge or ease it? Orenda Fink’s video for “Holy Holy” speaks to the pain of mourning and the beauty of empathy toward strangers. The song is from her album “Blue Dream”, which stares closely at death after a difficult year. The opening line to “Holy Holy” is simple, while setting the tone for this video directed by Michael Tully:

I gave it all,I gave it all to you,And you took it when you left here,We come into this world all alone,And we leave with not much more,