Posts Tagged ‘Mitch Mitchell’

The Jimi Hendrix Experience - Are You Experienced

It’s difficult to overestimate the importance of “Are You Experienced” in rock history. The Jimi Hendrix  Experience’s debut album was a game-changer for rock guitarists, a mind-mending collection of songs and sounds, a sonic embodiment of psychedelic 1967 and the Summer of Love.

Hendrix conjured both love and confusion by astounding the British and American rock establishments with the Experience’s live performances. He alters how nearly every guitarist on the third stone from the sun will approach the instrument for the next 50 years, and beyond. That’s a pretty crazy legacy for an album first released on May 12th, 1967.

As his all-too-brief recording career bloomed and wilted, sonic virtuoso Jimi Hendrix grew into his role as a recording studio visionary, helping change perceptions of what a rock song could sound like. He perfected his blend of psychedelic songwriting and wizard-like electric guitar flourishes on 1967’s Axis: Bold as Love, but on “Are You Experienced?”, his debut album with The Experience that included (drummer Mitch Mitchell, bassist Noel Redding), he harnessed the sound of a raw, thrilling power trio at the peak of its power. “Foxy Lady” has one of the downright nastiest guitar riffs ever recorded, and “Fire” is the most appropriately titled song in rock history ever. At Chandler’s encouragement, Hendrix began to write songs, just as sessions were beginning for the debut. Because he was a novice, Hendrix would take inspiration from anywhere. The rock classic “Fire” wasn’t the result by incendiary passion, but a desire to get warm on a cold night at Redding’s mother’s house. “Move over Rover and let Jimi take over” was literally about him getting the family dog to make room next to the fireplace.

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Hendrix introduced the Octavia pedal on ‘Are You Experienced.’ Created for Hendrix by sound technician Roger Mayer, the effects pedal doubles the guitar sound with the same pitch an octave higher or lower and adds some fuzz. You can hear it at work on the “Purple Haze” guitar solos. Later, when the recording was sent to Hendrix’s U.S. label, it was attached with a note – “Deliberate distortion: Do not correct.”

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After growing up in Seattle and teaching himself to play guitar as a teenager — flipping right-handed guitars upside down to accommodate his left-handed playing, thereby helping him to approach the instrument in radical new ways Jimi Hendrix did a brief stint as an Army paratrooper. Then he moved to Tennessee and spent about four years on the Chitlin’ Circuit as a guitarist for the Isley Brothers, Little Richard, and Curtis Squires, also gigging with his own band the King Kasuals alongside future Band Of Gypsy’s member Billy Cox. In 1966, at the urging of Linda Keith, he moved to London and met the Animals’ Chas Chandler, who became his manager and helped him form the Jimi Hendrix Experience with British rhythm section Noel Redding and Mitch Mitchell. The story goes that both drummers Mitch Mitchell and Aynsley Dunbar both auditioned to join the Experience. Hendrix liked them equally, so fate was left to a coin flip (which benefited the jazz-influenced Mitchell). Dunbar ended up doing all right, playing with Jeff Beck, David Bowie and Frank Zappa, as well as getting inducted into the Rock and Roll Hall of Fame as a member of Journey. Mitchell drummed with the Who a few years earlier, just before they hired Keith Moon, while Hendrix wrote “Foxy Lady” about Heather Taylor, who later married Who singer Roger Daltrey.

They scored some minor UK hits, won essentially all of England’s rock royalty as fans, and hit the studio to record their debut album. ‘Are You Experienced’ was recorded in three different London studios – CBS, De Lane Lea and Olympic – largely because of Chandler’s shortage of ready cash. New to management, Chandler thought he could pay for time upon completion of the album. He ran into difficulties when owners demanded payment right away. Polydor, Track Records’ distributor, guaranteed Chandler a line of credit so the Experience could finish the album at Olympic Studios.

Apparently, Polydor was so excited about ‘Are You Experienced’ that the distributor released Hendrix’s debut album early. Track Records was surprised when an error caused 2,000 copies to be sent to London stores two weeks before the planned release date, on May 12th, 1967.

Although the Experience were having massive success with their first three singles (“Hey Joe,” “Purple Haze” and “The Wind Cries Mary”) and debut LP in the U.K., American record companies weren’t sure Hendrix would be a hit in the States. But Reprise Records became convinced after the trio’s wild performance at the Monterey Pop Festival in June. Unlike the British edition, the U.S. version would include the singles, which replaced “Red House,” “Can You See Me” and “Remember.”

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What they came up with was unlike any album ever released — and not just because of Hendrix’s inventive guitar work, though there’s no downplaying his revolutionary approach or the way it shaped everything else about his sound. Like a mutant who’d gained full mastery over his powers, he ably controlled every available weapon in a guitarist’s arsenal: feedback, effects pedals, the whammy bar, even his teeth. In concert, that skill set played into wild exhibitionism that extended all the way to his wardrobe, his gigs so explosive that they often ended in smashed instruments (and, famously, once with a guitar set aflame). That showmanship is a huge part of his legend, but Are You Experienced presents him as more than just a marvelous instrumentalist.

“I Don’t Live Today” (along with Cream’s “Tales of Brave Ulysses”) helped popularize the “wah-wah” guitar effect. But, at that point, the famous pedal didn’t exist. On the solo for “I Don’t Live Today,” Hendrix created the spectral glide – which seemed like a voice saying “wah-wah” by hand. That sound inspired Vox to create the wah-wah pedal, bestowing a shortcut on legions of guitarists.

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On the LP, all that power is reined in and meticulously deployed, often with a subtlety you wouldn’t expect from such a showboat. A controlled chaos lingers in the album’s background and ramps up at strategic moments, a wave of noise that sweeps through and irreparably alters the landscape of a song. Even if you’ve never listened to Are You Experienced, you’ve heard it in the tumultuous closing moments of “Purple Haze” one of the most famous rock songs in history. It manifests elsewhere in the tumbling rhythms of “Love Or Confusion” and the tripped-out space travels of “Third Stone From The Sun” and even the gently drifting ballad “May This Be Love” And it’s all over the madcap freakout “I Don’t Live Today” the record’s closest parallel to Hendrix’s untamed stage show. And on the remarkable title track, it’s flipped backwards, chopped up, and pieced back together into an otherworldly statement of intent.

Just as often, though, Are You Experienced demonstrates how much this trio could accomplish without a blaring wall of sound. The spare and visceral “Manic Depression” weaves insane riffs and even crazier drums into the foundation for a new kind of blues. “Fire” is similarly combustible, initiating with a riff so startling. “The Wind Cries Mary” is a simple, beautiful display of Hendrix’s softer side; to me, his clean, aqueous rhythm work, also heard throughout “Hey Joe” was and is every bit as revelatory as his fireworks displays.

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In early 1970, Jimi Hendrix sought to pen music that stretched beyond conventional rock & roll songs. “Pieces. I guess that’s what you call it,”  he decribed in an interview, “Like movements. I’ve been writing some of those.” One day he grabbed his Martin acoustic guitar and recorded a 16-song suite onto some cassettes. Writing “Black Gold” on the label, he presented the tapes to drummer Mitch Mitchell to work out parts for a studio recording. Hendrix died before this could take place, and the cassettes remained in Mitchell’s possession, forgotten for two decades.

During this time, the tapes were presumed stolen and lost forever, leading to endless speculation about what they contained – if they existed at all. Hendrix rarely spoke about “Black Gold” in the press, offering only oblique references to his new creative direction. “It’s mostly cartoon material,” he said. “I make up this one cat who’s funny. He goes through all these strange scenes. You could put it to music, I guess.”

The mystery of Black Gold was partially solved in 1992 when Mitch Mitchell rediscovered the missing tapes in his English home. Six songs had been completed in the studio and issued on posthumous albums, but the other nine titles were unique to the tape. After years of legal wrangling, Hendrix’s estate has promised to deliver Black Gold at some point “this decade.” So far only one song, the opening number called “Suddenly November Morning,” has seen release.

When Chas Chandler discovered Jimi Hendrix in New York in June 1966, the Animals‘ bassist was so impressed by Hendrix’s performance of “Hey Joe.” Chandler brought Hendrix to London that September to record the American rock standard as a demo to secure a recording contract. October. 23rd, 1966 would mark Hendrix’s first day of recording at London’s De Lane Lea studios as a member of the Jimi Hendrix Experience.

The session would yield the first instrumental tracks of “Hey Joe,” one of the most memorable songs of their debut LP, “Are You Experienced”.
Once they’d arrived in London, Chandler recruited guitarist Noel Redding, who would play bass, and drummer Mitch Mitchell to back Hendrix. Short of cash for extended studio time, Chandler rehearsed with Hendrix at his new London apartment.
“When I started with Jimi, we were sharing the flat and doing all of our work there,” Chandler recalled The flat was Jimi’s rehearsal room. That was such an advantage. When we took the Experience into rehearsals, Jimi had already developed the song to the point where he could indicate the chord sequences and tempo to Mitch and I would work with Noel about the bass parts. Then everything would come together.”
Chandler chose De Lane Lea studios because the Animals had recorded their big hit “House of the Rising Sun” there. But problems cropped up at that first session.
“When Jimi first came to London, his visa had been restricted,” said Chandler. “I had received an extension, one that carried us through the date I had scheduled for us to record ‘Hey Joe.’ The day we were recording ‘Hey Joe,’ I had gone over to the immigration office in the morning to get some papers completed for a three-month extension of his passport. It took so long that I came straight from immigration to De Lane Lea Studio’s.
“Right after we started, Jimi threw a tantrum because I wouldn’t let him play his guitar loud enough in the studio. It was a stupid argument over sheer volume. He was playing through a Marshall twin stack and it was so loud in the studio that we were picking up various rattles and noises. He said, ‘If I can’t play as loud as I want, I might as well go back to New York.’”
“‘Hey Joe’ is a very difficult song to do right and it took forever,” Redding recalled in his autobiography Are You Experienced. “The Marshalls were too much for the mikes and Chas and Jimi rowed over the recording volume. That ‘loud,’ full, live sound was nearly impossible to obtain (especially for the bass) without the distortion, which funnily enough became part of our sound. No limiters, compressors or noise reduction units yet.”
“In my pocket I had his passport and immigration papers,” continued Chandler. “I took them out, threw them down on the console, and said, ‘Well, here you go. Piss off.’ He looked at them, started laughing, and said, ‘All right, you called my bluff!’ and that was it.”
During the two-hour session, was all Chandler could afford, the Experience laid down the preliminary backing tracks for “Hey Joe.” Hendrix’s lead vocal and backing vocals by the Breakaways, a group of female session singers, (Jean Hawker, Margot Newman, and Vicki Brown)were recorded later. The finished demo, however, did not immediately impress record companies.
“Chas tried to interest Decca Records,” wrote Redding. “No luck. But then they’d turned the Beatles down, too.” The song was released in the UK on the Polydor label in a one-single deal. Hendrix then signed to the Track label, which was set up by Kit Lambert, producer for The Who. Dick Rowe of Decca Records turned down Hendrix for a deal, unimpressed with both “Hey Joe” and “Stone Free.”
“Hey Joe” would become a Top 10 hit single in the U.K. before it was released in the U.S. in 1967 as part of the Are You Experienced album.

This is the song that started it all for Hendrix. After being discharged from the US Army in 1962, he worked as a backing musician for The Isley Brothers and Little Richard, and in 1966 performed under the name Jimmy James in the group Jimmy James and the Blue Flames. Hendrix introduced “Hey Joe” to the band and added it to their setlist. During a show at the Greenwich Village club Cafe Wha?, Chas Chandler of The Animals was in the audience, and he knew instantly that Hendrix was the man to record the song.

It is unclear who wrote this song. Many people believe it was written by Chester Powers (aka Dino Valenti of Quicksilver Messenger Service), but Hendrix himself – and also The Leaves – attribute it to William (Bobby) Roberts. No one has been able to copyright it, so the song is considered “traditional,” meaning anyone can record it without paying royalties.