Posts Tagged ‘Isle Of Wight’

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indie five-piece Plastic Mermaids have shared a poignant new acoustic take on ‘Milk’.

The Isle of Wight band are toasting the first anniversary of their debut album, and are currently prepping a new seven inch single. Opting to re-work two favourite cuts from the LP, Plastic Mermaids utilised a Tascam 388 for these sparse home-made sketches.

Out shortly, the single will be available digitally as well as on seven inch picture disc vinyl.

We’re able to share a beautifully stripped back version of ‘Milk’, while the visuals are drapped in light.

“Milk” (Acoustic) · Plastic Mermaids  on Sunday Best Recordings Released on: 2020-03-31

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Isle Of Wight duo Champs are back with news of their third album “The Hard Interchange”, alongside revealing the lead single “Shadow On The Sea”. “Reminiscent of Fleet Foxes and Nick Drake, both the song and video set a warm mood ideal for the transition into fall.”

“Shadow On The Sea” is the duo’s first new single since earlier singles “Douglas Firs” and “Solid Action”, both of which will also appear on Champs‘ new record.

‘Red Star’ written and performed by Champs Additional production by Sean Oakley, Rob and Jim Homes

Band Members
Michael and David Champion

plastic mermaidsAsmall

The artwork and extravagant title of Plastic Mermaids forthcoming new EP might well have you thinking that ‘Everything Is Yellow And Yellow Is My Least Favourite Colour’ will find Isle Of Wight’s finest in suitably decadent fashion, pushing the off-kilter psych flourishes that they’ve toyed with across their ever-expansive back-catalogue to new found heights.

Somewhat surprisingly – and rather satisfyingly – new track ‘Paris Milkshake‘ goes against such premonitions to offer what might well be the band’s most subtle moment to-date; a stirring, falsetto-led ballad full of swirling instrumentation and warped imagery. The track does gradually build itself up to dizzying heights, but it’s that initial bluster of striking, stirring strings and odd-pop tributaries that land the heaviest blow, presenting a carnival ride of sentiments that consumes the listener like some flashing storm of shifting colour that doesn’t just radiate warmth and energy but sucks you fully in to their most fascinating, compelling inner-circle.

The sound of a very special band growing more special by the day. The full EP is released later this summer via Cross Keys Records.

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Plastic Mermaids hail from the Isle of Wight, but largely reside in their own world.

Plastic Mermaids hail from the Isle of Wight, but largely reside in their own world.

The band make exuberant indie pop with an off kilter feel, their home-grown experiments recall The Beta Band’s early lysergic cuts, or even Clinic’s more melodic side. Plastic Mermaids are sharing “Beyond The Cosmos After Death”, the second taste of their upcoming EP, on Cross Keys Records.

The new single is a sprawling six-and-a-chunk-minute ode from the Isle Of Wight outfit.

Although starting sparsely, the band’s new single quickly begins bursting with spaced-out synths and layers of fragile melody as it rattles upwards into a string-led celestial behemoth. “Beyond The Cosmos...” is powerful, cinematic post-rock with dusky pop earworms and straightforward emotion – as it grows from seed to sapling to a mighty, ground-shaking heart stopper, Plastic Mermaids demonstrate their abilities across a broad spectrum of styles.

 

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The Everything Is Yellow And Yellow Is My Least Favourite Colour EP is released via Cross Keys. It’s the final portion of an EP trilogy. Working on a trilogy of EPs, the series is set to close with this release

New cut ‘Alaska’ leads the way, and it’s a perfectly formed piece of jagged alt pop.

The softly sweet melodies interlace with a complex rhythmic chassis, a continually evolving piece of glimmery, oddly psychedelic pop music.

In 2016 Bestival will head into The Future, pioneering a glamorous machine age that delivers entertainment at the speed of light. The Future is our launch pad for a new experience, an odyssey of cosmic colonisation and nanotech clothing, forging a new collective consciousness. Enter a luminous dream world of parties on the moon, sonic adventuring, spiritual teleportation, transcendent holographic forms, everlasting gobstoppers and a blissful eternity. Immerse yourself in a universe like no other, where green fields roll into night skies, a virtual utopia where time has no boundaries and the spirit is free.

The Future is here.

Bestival 2016 (Sept 8th-11th) tickets available now: http://2015.bestival.net/tickets

Winner: Best Major Festival 2015 (UK Festival Awards)

690831 Band & DylanIOW

The 1969 festival was in a different league, a two-day event that was held just a few weeks after Woodstock took place; the Isle of Wight could boast having both Bob Dylan and the Band to headline their affair.

So 46 years ago today, Bob Dylan arrived on stage at the Isle of Wight Festival, his first scheduled public performance in more than three years. Dylan appeared in a loose white suit, white shoes, white tie and yellow shirt, behind a sparkling stainless steel chin-height barricade of microphones. The stomping and the cheering and the crying and the crush toward the front-stage area was still strong as Dylan began his first song, “She Belongs to Me”... And the rest is history…

Among the support bands were Blodwyn Pig, the VASTLYunderrated Eclection, Family, Fat Mattress, Free, The Nice, Tom Paxton, The Moody Blues, Pentangle and way down the bill King Crimson a few weeks after their appearance at Hyde Park with the Rolling Stones.

It also included three artists that had played at Woodstock, which of course at this point had not crossed over the line to mythology to become the stuff of legend; the album and the movie were still months away from release. Richie Havens, Joe Cocker and The Who – the second day’s headliner – are the three acts that played both festivals. Roger Daltry was wearing his famous fringed jacket, and Pete Townshend was in his white boiler suit but much of the effect was lost as it was still light when they played.

The Friday was very much the acoustic/folk day but given the fact that Dylan and the Band were the headliners that day tickets cost £2; Dylan was reportedly paid £35,000. For the Sunday, when the Moody Blues were second on the bill, a ticket was a mere £1.25. A ticket for the entire weekend was £2.50.

John Lennon, George Harrison and Ringo Starr, as well as Keith Richards and Charlie Watts were all there to see Dylan play. George wrote a song inspired by the event and dedicated to Dylan, ‘Behind That Locked Door’ appeared on his All Things Must Pass album

Who Isle of Wight

https://www.youtube.com/watch?v=Rnzcxpk3LPI&feature=youtu.be

The 1970 Isle of Wight Festival was held between 26th and 31st August 1970 at East Afton Farm an area on the western side of the Isle of Wight. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and widely acknowledged as the largest musical event of its time, greater than the attendance of Woodstock. Although estimates vary, the Guinness Book of Records estimated 600,000, possibly 700,000 people attended. It was organised and promoted by local brothers, Ronnie, Ray and Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.
The preceding Isle of Wight Festivals, also promoted by the Foulks, had already gained a good reputation in 1968 and 1969 by featuring acts such as Jefferson Airplane, T. Rex, The Move, Pretty Things, Joe Cocker, The Who and Bob Dylan in his first performance since his 1966 Motorcycle Accident.
The 1970 version, following Woodstock in the previous year, set out to move one step forward and enlisted Jimi Hendrix. With Hendrix confirmed, artists such as Chicago, The Doors, The Who, Miles Davis, Joan Baez, Joni Mitchell, Jethro Tull, Sly & the Family Stone, Ten Years After, Emerson, Lake & Palmer and Free willingly took up the chance to play there. The event had a magnificent but impractical site, since the prevailing wind blew the sound sideways across the venue, and the sound system had to be augmented by Pink Floyd’s PA. There was a strong, but inconsistent line up, and the logistical nightmare of transporting 600,000 people onto an island with a population of less than 100,000.
Political and logistical difficulties resulted in the organisers eventually realising that the festival would not make a profit and declaring it to be “a free festival”, although the majority of the audience had paid for tickets in advance, and the event was filmed contemporaneously. However, at the time, the commercial failings of the festival ensured it would be the last event of its kind on the Isle of Wight for thirty-two years.

CHAMPS – ” Desire “

Posted: November 22, 2014 in MUSIC
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Isle Of Wight duo Champs have been keeping feasibly busy this year, releasing their critically acclaimed debut-album and showcasing it all around the country.


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