Posts Tagged ‘Good Cheer Records’

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Another Amazing record from Portland’s Mo Troper. It’s a well crafted slice of power pop where every song has it’s place and no tune overstays it’s welcome. More people should be striving to write the kind of timeless and insanely catchy music this guy seems to throw out like it’s as easy and automatic as putting pants on in the morning

This is Mo Troper’s second album it may not change the world, but it’s pristine orchestral pop will restore your faith in it. This is wide-eyed, wide-screen beautiful stuff likely influenced by albums by Jellyfish, Jeremy Egnik and Kay Kay and his Weathered Underground. released November 17th, 2017

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The Band :
mo troper: vocals, guitar, keys, bass, drums
jackson machado: guitar
ben burwell: bass
asher mcKenzie: drums
additional musicians:
lee ellis: keys
shannon rose steele: violin, viola
lily breshears: vocals
zach banks: cello
anthony meade: trombone
corey palacois: trumpet

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On the off chance there were any doubters of the songwriting gifts of Portland’s Mo Troper following his 2016 debut, Beloved, those suspicions ought to be dashed, scattered and abandoned after a listen to his follow-up, “Exposure & Response”.  A harmonic choir intro opens the record on the satirical “Rock And Roll Will Change The World,” a pessimistic shout-down to those who still believe in the transformative power of art. The rub, of course, is how gorgeously Troper masks his ironies, winking at his audience even as he attempts to break down their comfort zones. The subsequent “Your Brand” continues his admonishment of the social media generation, which Troper can most certainly count himself a member of, with a guitar-rock onslaught.

Shades of Brian Wilson melodics shine through Exposure & Response, especially on “Big School,” where the minutiae of daily struggles are given grandiose treatment within a “Don’t Worry Baby” pop structure. Troper’s vocal range is frequently given to elastic fits, stretching the thinness of his voice to notes that you can hear him struggling beautifully to attain. That element of Troper’s musical alchemy is central to the power of his songs; as fun and punchy as the music has the potential to be on its own, it’s Mo Troper’s snarky lyrical charms that truly take center stage.

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Little Star-2017-cred Natalie-Eagan Newsletter

Portland DIY figures Little Star ,comprised of Julian Morris and Dan Byers, are returning next month with their sophomore, self-titled album. It’s said to depict the complicated melancholy of antidepressants—and somewhat depressingly, it’s clear in their music that this is one of the most relatable modern subject matters a musician could pursue.

“I find new ways to feel like I have something to offer,” Byers chirps on their new single “Calming Ritual #1” in a falsetto that feels almost satirical over the heart-sinking grunge guitars. In a press release, Byers explained his approach: “Some of my songs are meant to be hopeful and encouraging to people who struggle with that particular dilemma.” “Calming Ritual #1” sonically reflects its themes, with a serenely non-pretentious palette of guitar, bass, drums, and vocals. Byers speaks his defeated, yet optimistic truth over shuffling, Ringo-esque drumming that immediately tempers our appetite for the rest of the LP.

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Little Star is out April 14 via Good Cheer Records.