Posts Tagged ‘Fontana Records’

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Kaleidoscope were an English psychedelic rock band from London that originally were active between 1967 and 1970. The band’s songs combined the elements of psychedelia. The band were also known at various times as The Sidekicks, The Key, I Luv Wight and Fairfield Parlour. Their debut album by Kaleidoscope. The British Kaleidoscope released titled ‘Tangerine Dream’ in 1967, at the height of flower power and psychedelia.

Both this album and their second and final album ‘Faintly Blowing’ in 1969 are, in my opinion, the absolute pinnacle of British psychedelia, popsike, anything you wanna call it. Immaculate song writing and harmonies but somehow, unbelievably, the public just didn’t get it. One of my favourite bands of all time. Obviously these days this album is a top collectable and there just ain’t enough to go round! To own a top condition original on Fontana is gonna set you back over a grand.. Ebay has a few on offer but at very high prices.

Having performed since 1963 under the name The Sidekicks, they became The Key in November 1965, before settling upon the name Kaleidoscope when they signed a deal with Fontana Records in January 1967 with the help of the music publisher Dick Leahy.The group consisted of Eddy Pumer on guitar, Steve Clark on bass and flute, and Danny Bridgman on drums and the vocalist Peter Daltrey, who also played various keyboard instruments. Most of the band’s songs were compositions of Pumer’s music and Daltrey’s lyrics. While the group did not achieve major commercial success in its time, it retains a loyal fan-base and its recordings are remembered in high regard. The band’s first single “Flight from Ashiya” (b/w “Holidaymaker”) was released on 15th September 1967 by Fontana Records, a little earlier than the band’s first album Tangerine Dream. The song was telling about an impending plane crash. The single got critical acclaim and quite an amount of radio airplay but failed to reach the charts. Years later, the song has appeared on many compilation albums, including Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969, the second box set of the Nuggets series and Acid Drops, Spacedust & Flying Saucers: Psychedelic Confectionery.

“Tangerine Dream” probably has the edge as the best of this British psychedelic group’s two albums, but not by much. A long sought-after psychedelic rarity, it includes several of Kaleidoscope’s best songs: “Flight from Ashiya,” “Dive into Yesterday,” “The Murder of Lewis Tollani,” and especially the fragile ballad “Please Excuse My Face.”

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Two months later, Tangerine Dream also produced by Dick Leahy was released. The album included “Flight From Ashiya”, “Please Excuse My Face” and “Dive into Yesterday” which are now considered some of the band’s best songs Meanwhile the band were aired performing live on several BBC radio shows. A new single was released in 1968 called “Jenny Artichoke” (b/w “Just How Much You Are”) that was inspired by Donovan’s, “Jennifer Juniper”. After the release the band traveled around Europe, and when in Netherlands supported Country Joe and the Fish at the Amsterdam Concert Hall.

“Faintly Blowing”, again produced by Leahy, was released later, in 1969 by Fontana Records. This time the band’s sound was heavier but the tracks still included psychedelic elements with notable lyrics but it failed to reach the charts. After the failure of “Faintly Blowing”, they released two more singles.

NME 2-12-67 A letter from John Abbey: Kaleidoscope are sweeter than Pink Floyd, not so bitter as the Beatles and have more talent.  Please FONTANA re Issue these albums.

Kaleidoscope:

  • Tangerine Dream (Fontana (S)TL 5448, 24 November 1967)
  • Faintly Blowing (Fontana STL5491, 11 April 1969)
  • White Faced Lady (The Kaleidoscope Record Company KRC 001 CD, 14 February 1991)
  • Please Listen to the Pictures (Circle Records CPWL/CPWC 104, 1 September 2003)

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Catherine Wheel were a four-piece alternative rock band from Great Yarmouth, England. The band was active from 1990 to 2000, experiencing fluctuating levels of commercial success, and embarking on many lengthy tours. The band comprised singer-guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), guitarist Brian Futter, bassist Dave Hawes, and drummer Neil Sims. Hawes had previously played in a Joy Division-influenced band called Eternal. They took their moniker from the firework known as the Catherine wheel, which in turn had taken its name from the medieval torture device of the same name. The band was sometimes included in the shoegazing scene, characterized by bands that made extensive use of guitar feedback and droning washes of noise, as well as their continuous interaction with extensive numbers of effects pedals on the stage floor.

The band performed a Peel session in early 1991 while still unsigned; two 12″ vinyl EPs were released on the Norwich-based Wilde Club Records,named after the regular weekly Wilde Club gigs run by Barry Newman at Norwich Arts Centre. They signed to major-label Fontana Records after being courted by both Creation Records and the Brian Eno-run label Opal Records. The band’s debut album, 1991/92’s “Ferment”, made an immediate impression on the music press and introduced Catherine Wheel’s second-biggest U.S. hit, “Black Metallic”, as well as the moderate hit “I Want to Touch You”. The album features re-recorded versions of some of the Wilde Club-issued EPs. “Black Metallic” was later featured in the film S. Darko.

The more aggressive Chrome followed in 1993, produced by Gil Norton. With this album, the band began to shed its original shoegazing tag, while still making skillful use of atmospherics, such as on the song “Fripp”In a 2007 interview, Rob Dickinson said that members of Death Cab for Cutie and Interpol told him that without this album, their bands “wouldn’t exist.

1995’s Happy Days saw the band delving further into metallic hard rock, which alienated a portion of their fanbase, even as it increased their exposure in the United States during the post-grunge era. The single “Waydown”, and especially its plane-crash themed video, received heavy play in the U.S. A more sedate strain of rock known as Britpop was taking over in the UK, causing Catherine Wheel to continue to have greater success abroad than at home.

The B-sides and outtakes collection, Like Cats and Dogs, came out the following year, revealing a quieter, more contemplative side of the band, spanning the previous five years. This carried over into Adam and Eve in 1997, wherein the band scaled back the sonic force of their sound from its Happy Days levels, with clean playing on some songs that featured extensive use of keyboards and acoustic guitars. Alternately, songs like “Satellite” and “Here Comes the Fat Controller” were lush and orchestral in scope.

In 2000, Catherine Wheel re-emerged with a new record label, a new bassist (Ben Ellis); a modified name (The Catherine Wheel); and a new album, Wishville. After mixed reviews, record company turmoil and lacklustre sales, the band went on a still-continuing hiatus.

In March 2010, Ferment was re-released, containing bonus tracks and extensive sleeve notes.