Posts Tagged ‘Eraserland’

Strand-Of-Oaks-Moon-Landing-Eraserland

This year Tim Showalter released his sixth album as Strand Of Oaks, “Eraserland”. Recorded with the assistance of his friends in My Morning Jacket, Eraserland is of his strongest works yet, and one of the best albums of 2019 so far. One of its key tracks sits as a centerpiece of the album, the funky, seemingly stream-of-consciousness “Moon Landing” And, appropriately enough, Showalter has chosen the 50th anniversary of the moon landing, to share an alternate take of the song.

The original “Moon Landing” is a feverish rush. The new alternate take is a more restrained, acoustic-based reading that allows the lyrics to come through a bit clearer. In each version, Showalter touches on various aspects of his life, including the fact that he shares his birthday with Chris Cornell and the anniversary of the moon landing — being born on that day then becoming some unifying symbol for all the loose pieces visited throughout the song, the pieces that formed his identity.

Here’s what Showalter had to say about “Moon Landing,” and sharing this new meditative iteration on his birthday:

If Eraserland is a place, “Moon Landing” is the door to get there. There is no chorus or even riffs. It is a glossary to help define who I was when I wrote the record and help piece together all the loose ends. On record it is a career highlight for me probably because my only contribution was vocals. When it came time to play this live, it was bittersweet, missing Jason Isbell’s guitar, Carl’s sax, Kevin’s insane sonics, and really just everyone who was on that recording. It’s meant to be a document and not to be duplicated. I was trying to unlock the song, and I sat on my acoustic strumming three chords and found a totally different song. What I couldn’t recapture was the frenetic energy of studio production, but what I found was the emotional waterfall of lyrics that I honestly never paid a lot of attention to. Then the added weight of 50 years since the Moon Landing, 37 years since I was born, and the beautiful gift that I got to share my birthday with Chris Cornell. I feel like even the date of my birth sums up my life and musical career, the cosmic mixed with musical admiration. I hope you enjoy listening and do me a favour after you do put on “The Day I Tried to Live” and let it flow over you.

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Strand of Oaks (aka Timothy Showalter) have announced their sixth studo album – “Eraserland” out March 22nd via Dead Oceans Recordings.

Eraserland features the impressive backing band of Carl Broemel, Bo Koster, Patrick Hallahan and Tom Blankenship of My Morning Jacket, as well as special guest Jason Isbell.

According to Showalter, the lead single “Ruby” is a reflection on a certain kind of nostalgia.

Ruby is the happiest song I’ve ever written,” he said via a press release. “Ruby isn’t a person, rather the concept of time and memory and how with every passing year it becomes non linear. In the past I would’ve dismissed such unabashedly pure optimism, but I’ve been through a lot and I’ve learned to appreciate those rare moments of light.

“Ruby” off Strand of Oaks’s new album “Eraserland” out March 22nd on Dead Oceans

Kevin Ratterman and I first met when his incredible band Twin Limb opened for us on tour. Instant friendship. But the real kicker came about a week into tour and I asked him about previous bands he’d been in. He said a few and then mentioned off the cuff that he was the drummer of Elliot. My mind was completely blown. Not only did I love the music but it was at an Elliot show where I first saw Sue. At Kevin’s concert, 15 years ago I saw who was going to be the love of my life. If that doesn’t align the starts than nothing will. From there we talked music and recording and I just continued to discover how talented Kevin was in the studio. So when everything came together to make Eraserland, it was Kevin who truly brought it all together. We would get up every morning and have coffee and map out our day, then work about 14 hours, then after everyone would leave we stay up till about four in the morning just talking, laughing, planning and just really growing so close as friends. I’ve spent a lot time in the studio but I’ve never seen someone work harder but somehow float on air and make everyone involved feels so relaxed and inspired. I think everyone would agree, that Kevin was the boss, in the best of ways. When we would finish a live take all together (sometimes a nine minute song), there would be a stillness in the air of all us waiting to hear over the headphones if we got the take. That 15 seconds felt like a lifetime, especially when Kev would casually say “Let’s get another one”. Partnerships like this don’t come around often, or maybe ever, and for the first time in my life I was smart enough to recognize that and appreciate every second I got to spend with Kevin, and be around his magic.

Eraserland is the first record I’ve ever written where the majority of the songs started with a bass part. I needed to switch a lot of stuff up in my life and writing songs on a different instrument really proved beneficial. I feel like Oaks was becoming a “shred” band and at the time I wanted to be as far from that as possible. If you build songs from a bass line you start from an extremley centered and structured place, and that is exactly what my chaotic mind needed. Long story but all that work was then put into the hands of Tom Blankenship. Hanging with Tom was like going on a spiritual retreat so much thoughtfulness, kindness, observation, listening or to put it simply the ingredients that make a PERFECT bass player. When we recorded Eraserland, we tracked all the parts live together. Even with my songs which definitely aren’t prog anthems, it can be tough to get a complete take out of five individuals. But Tom NEVER messed up, I’m serious, NEVER messed up. Just quietly in the zone and constantly coming up with something fresh that somehow worked in the arrangement even better than his last take. It was amazing to talk with everyone and quickly find out that this is just Tom, he is the rock that holds everything together.

 

 

 

“Weird Ways” off Strand of Oaks’s new album “Eraserland” out March 22nd on Dead Oceans

This record wasn’t supposed to be here. I had thought for a moment Strand of Oaks might be over until a text from my friend, Carl Broemel, changed all that. Unbeknownst to me, four members of My Morning Jacket and Kevin Ratterman booked studio time to record songs I didn’t think I’d ever write. But they believed I could and pulled me back from the brink. At last, the songs came–and quickly morphed into everything I’ve ever worked toward as this band. These ten songs are about existing and continuing on, a testament to the hope that even if we feel like we are disappearing, there is that glimmer of light. You may not come out the same person you started as, but that’s okay. I’m glad this record is here now for whoever chooses to find it. Welcome to Eraserland, where we all can start again. ~tim