Posts Tagged ‘Duff McKagan’

Ozzy-Osbourne-Under-The-Graveyard

Earlier this summer, something remarkable happened. In the middle of Post Malone’s blockbuster genre-blurred album Hollywood’s Bleeding, Ozzy Osbourne, iconic metal wailer showed up on what was basically an old-school lighters-up power ballad. And he sounded incredible. This guy was out here looking like shambling death on American television 17 years ago, but that voice still just came ripping out of him. (If studio trickery was involved, then it was some beautifully executed studio trickery.) With that appearance on “Take What You Want,” Osbourne reduced Travis Scott, also on the song, to atoms, he scored his first top-10 hit in 30 years.

Osbourne has been talking about a new LP since “Take What You Want” landed, and he’s been enthusing about how much he loves that song. So it’s not particularly surprising to learn that Osbourne made the album with producer and Posty collaborator Andrew Watt on the new album “Ordinary Man”, which is set to come out early next year. Watt played guitar on the album, and he’s got some ringers with him. The LP also features Guns N’ Roses’ Duff McKagan on bass and the Red Hot Chili Peppers’ Chad Smith on drums. Longtime Osbourne sideman Zakk Wylde does not appear.

Ordinary Man will be Osbourne’s first studio album in a decade — his big return after 2010’s Scream. Osbourne also sang on the surprisingly robust Black Sabbath reunion album 13 in 2013, but that’s still a long time ago! Ozzy Osbourne is now 70, and he has survived the kind of debauchery that would’ve killed most of us 15 times over. For him to be making music at all is pretty amazing. For him to be sounding good is even crazier.

And “Under The Graveyard,” Osbourne’s new single, is pretty good! It’s some real studio-rock, with echo effects all over Osbourne’s voice and ultra-processed guitar crunch. But if you grew up with this guy, it’s still satisfying to hear him yowling about “we all die alone” over delicate filigrees that turn into big riffage. Osbourne co-wrote the song with Andrew Watt, Chad Smith, and — huh — BTS collaborator Ali Tamposi. Below, listen to the song and read Osbourne’s delightful press-release quote about the new album.

It all started when [my daughter] Kelly comes in and says, “Do you want to work on a Post Malone song?” My first thing was “Who the fuck is Post Malone?!” I went to Andrew [Watt]’s house and he said, “We will work really quick.” After we finished that song, he said, “Would you be interested in starting an album?” I said, “That would be fucking great,” but now I am thinking I don’t want to be working in a basement studio for six months! And in just a short time, we had the album done.

Duff [McKagan] and Chad [Smith] came in, and we would go in and jam during the day, and I would go work out the songs in the evenings. I previously had said to Sharon I should be doing an album, but in the back of my mind I was going, “I haven’t got the fucking strength…” But Andrew pulled it out of me. I really hope people listen to it and enjoy it because I put my heart and soul into this album.”

“Under The Graveyard” is out now on the streaming services. Ordinary Man doesn’t have a release date yet, but it’s coming early next year. Also next year, Osbourne will play a character in the animated movie Trolls World Tour,

slash

Bass player needed for band influenced by Aerosmith, Alice Cooper. Call Slash

In his 2007 autobiography, Slash recalls getting a few calls answering the ad he and drummer Steve Adler placed in “The Recycler”, circa 1983. But the only prospect they wanted to meet was some dude named Duff McKagan who’d recently relocated to Los Angeles from Seattle. Duff “sounded cool on the phone,” so Slash had the bassist meet him and Steve Adler and their girlfriends at Canter’s.

When Duff showed up, neither party was exactly what the other was expecting, looks-wise. Duff skewed punk, Slash blues-metal. But Slash and Duff vibed together. “The five of us went upstairs, piled into the bathroom, and broke out the vodka,” Slash wrote in his book. The trio of musicians immediately formed a band. They named it Road Crew, after the excellent Motorhead track “(We Are) The Road Crew.” Slash, Duff and Adler spent the next month or so looking for a frontman — but couldn’t find the right fit and soon went their separate ways. At least for the time being. Still, Slash’s ad connected three-fifths of what eventually formed Guns N’ Roses’ quintessential lineup, once they joined forces with the Janis-Joplin-caught-in-a-meat-grinder-voiced singer Axl Rose and Keef-esque guitarist Izzy Stradlin. During the Road Crew period, Slash and co. also created the main riff for the now-classic Guns track “Rocket Queen.”

https://www.youtube.com/watch?v=-oB-l4t6Yiw