Posts Tagged ‘Daddy’s Home’

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The last time we heard new music from St. Vincent, she delivered a pair of radically different albums. There was 2017’s MassEducation, which found Annie Clark teaming with Jack Antonoff for the most immediate and danceable music of her career. And then there was the companion album, 2018’s MassEducation, which reimagined those songs in stark, solo piano arrangements.

Her new album “Daddy’s Home” follow-up appears to be another reinvention, with Clark citing Stevie Wonder, Sly and the Family Stone, and Martin Scorsese’s 1976 classic Taxi Driver as influences. “Can’t wait for you to hear it,” she teased.

St Vincent released the new album, “Daddy’s Home” this weekend via Loma Vista. On Monday she shared the album’s third track, “Down” via a video for it. Bill Benz directed the video, which seems to feature Clark as a private detective in 1970s New York City.

Previously St. Vincent shared the album’s first single, “Pay Your Way In Pain” via a video for the track. The sleazy and funky “Pay Your Way In Pain” sounds like something from Beck’s Midnite Vultures album (from 1999)

Then she shared “The Melting Of The Sun” St. Vincent also performed the track on Saturday Night Live, along with “Pay Your Way In Pain.”

Daddy’s Home was teased with a series of advertisements. Jack Antonoff co-produced the album with Clark, which was recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. In 2019 Clark’s father was released from prison after being incarserated for nine years, hence the album’s title, Daddy’s Home. This led her to revisiting the vinyl records her dad used to play her when she was a child. As a press release puts it: “The records she has probably listened to more than any other music in her entire life. Music made in sepia-toned downtown New York from 1971-1975.” Hence the vibe of the album’s promotion and packaging is decidedly ’70s.

In the press release Clark puts it this way: “Daddy’s Home” collects stories of being down and out in downtown NYC. Last night’s heels on the morning train. Glamour that’s been up for three days straight.”

St. Vincent has shared a second single from her upcoming album Daddy’s Home, “The Melting of the Sun.” This one’s mellow, groovy, soulful and funky in a ’70s sort of way. Watch the animated video below. On the new single, which St. Vincent (real name Annie Clark) co-produced with Jack Antonoff, she pays homage to several artists who have inspired her, including Joni Mitchell and Marilyn Monroe.

“Saint Joni ain’t no phony/Smoking reds where Furry sang the blues/My Marilyn shot her heroin/Hell she said it’s better than abuse,” she sings on the swirling, Seventies-vibed track. “So who am I trying to be? A benzo beauty queen?”

She recently discussed the women behind the lyric’s inspirations with Rolling Stone. “People tried to quiet them when they were saying something that was righteous or true or hard to hear,” Clark said. “[That song] in particular is a love letter to strong, brilliant female artists. Each of them survived in an environment that was in a lot of ways hostile to them.” “People tried to quiet them when they were saying something that was righteous or true or hard to hear,” Clark said in a statement. “[That song] in particular is a love letter to strong, brilliant female artists. Each of them survived in an environment that was in a lot of ways hostile to them.

“The Melting of the Sun” follows the previously released LP single “Pay Your Way in Pain.” However, this search for the distinct taste of late-night cocktail bars in the ’70s is one that St. Vincent manages to pull off with authenticity. As one might expect with such a subject, at times, the song does feel slightly contrived and perhaps too cliched.

Nevertheless, “Daddy’s Home” is shaping up to be a fascinating release from one of the most unpredictable artists around, who continues to shift into different personas for every single record. So far, the two singles released feel like they’re from two different artists. ‘Pay Your Way In Pain’ was a sassy, vigoured effort and followed up with a nostalgia-soaked ballad. A total contrast, but somehow St. Vincent has managed to make this style work on ‘The Melting Of The Sun’.

Daddy’s Home, which was co-produced by Jack Antonoff, is out May 14. St. Vincent will be the musical guest on Saturday Night Live this weekend

The album is about her father’s release from prison after serving a sentence for white-collar crime. Annie Clark announced the record last month with the glitzy comeback single, ‘Pay Your Way In Pain’. Now with ‘The Melting Of The Sun’, she has offered a moment of calm and contemplation, 

The new album “Daddy’s Home”, out May 14th

St. Vincent has teased her next album with a poster campaign. The new record is reportedly called “Daddy’s Home” and it reportedly drops May 14 via Loma Vista.

Teasers for St. Vincent‘s anticipated follow-up to 2017’s “Masseduction” have begun popping up, and while officially Annie Clark has been mum on the subject, recently tweeting “Nothing to see here,” she’s now discussed the album, which is apparently called Daddy’s Home and features production by Jack Antonoff, more in a new interview on Substack newsletter The New Cue. “I would say it’s the sound of being down and out Downtown in New York, 1973,” she says. “Glamour that hasn’t slept for three days.”

“In hindsight, I realized that the [last album, 2017’s] Masseduction and tour was so incredibly strict,” she continues, “whether it was the outfits I was wearing that literally constricted me, to the show being tight and the music being angular and rigid. When I wrapped that, I was like ‘oh, I just want things that are fluid and wiggly and I want this music to look like a Cassavetes film. I wanted it to be warm tones and not really distorted, to tell these stories of flawed people being flawed and doing the best they can. Which is kind of what my life is.”

Images of the teaser posters have been cropping up across social media platforms. They feature a blond Annie Clark standing in a maroon suit next to what appears to be an album cover. “St. Vincent is back with a record of all-new songs,” a text panel reads. “Warm Wurlitzers and wit, glistening guitars and grit, with sleaze and style for days. Taking you from uptown to downtown with the artist who makes you expect the unexpected.” The poster claims that the record will be available May 14th.

Late last year, Clark said that a new album was “locked and loaded” for 2021. In between producing music for Sleater-Kinney, hosting a podcast from her shower, and putting the finishing touches on Daddy’s Home, St. Vincent may have entered a dirty rabbit hole, exploring more sordid tales.

A song that makes you feel like you need to permission to listen, “Pay Your Way In Pain” oozes the funk of what’s to be expected from Daddy’s Home.

“‘Daddy’s Home’ collects stories of being down and out in downtown NYC,” says Clark. “Last night’s heels on the morning train. Glamour that’s been up for three days straight.”

Asked what she was listening to while making this album, Annie says, “I went back to these records that I probably listened to more in my life than at any other time, music made in New York from 1971-76, typically post-flower child, kick the hippie idealism out of it, America’s in a recession but pre-disco, the sort of gritty, raw, wiggly nihilistic part of that. It’s not a glamorous time, there’s a lot of dirt under the fingernails. It was really about feel and vibe but with song and stories.”

Through a grainier retro screen, Annie Clark (St. Vincent) is summoning her inner 1970s starlet sleaze on Daddy’s Home (Loma Vista), out May 14th, sharing the first single “Pay Your Way in Pain” with a video, directed by Bill Benz—who also worked on Clark and Carrie Brownstein’s upcoming movie The Nowhere Inn—showing St. Vincent entering a vortex of network television variety shows.

“Daddy’s Home” is expected May 14th via Loma Vista, and lead single “Pay Your Way In Pain” is reportedly arriving Friday (March 5th).