
The implied toughness of Bishop Briggs’ name suits her well for the performative strength expressed throughout her new album, CHAMPION. The record matches strutting, declarative percussion with the swelling choral elements of arena rock, layering both on a throughline of vulnerability. There’s a sobering badassery in Briggs’ marriage of aesthetic and naked self-exploration, the kind that invites a listening audience to bop their heads while doing soul-searching of their own, even if only on a subconscious level. Realizing personal introspection with the album blaring at the same time is a challenge: If CHAMPION can be distilled into a single word, that word is “loud,” whether in decibels or overdetermined wordplay.
The album’s title track, which was released over the summer, was written shortly before her breakup occurred, and therefore deviates a bit from her breakup anthem vibe, but is very Briggs: feminist, confident, honest.
“The meaning behind it being, as a woman, feeling like I have to be so many different things at once. You have to be powerful, but not too powerful. You have to be sexy but sweet. You have to be confident, but you have to be humble. And it’s just so exhausting,” Briggs says. “With this song, I just thought how different my world would be if I had some confidence.”

