Posts Tagged ‘Babe City Records’

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“Must Be Nice,” the first single from Chicago band Varsity’s forthcoming album Parallel Person, has a title that comprises a double meaning. The title phrase is habitually “bandied around sarcastically,” says singer and keyboardist Stephanie Smith. But she says it can also be an ultimatum, as in: “I must be nice in order to be liked/noticed/not be considered a b****.”

The song itself is a catchy slice of indie-pop, the punchiness of which is undercut by Smith’s self-conscious lyrics: “I know I can’t cry in front of them / But if I could,” she trails off anxiously. Smith says the song was conceived of more as “a mood and the idea of repetition rather than a narrative or a complicated structure.” Propulsive bass and drums give the song an urgent feel, while intertwined keyboard and guitar riffs lend a surfy, eerie charm.

The video for “Must Be Nice,” by animator Shane Beam, reflects the song’s mood and cyclical nature. Beam “totally honed in on the repetition, psychedelic imagery and playful tone of this tune,” Smith says. “The resulting video highlighted themes and images that we hadn’t noticed before,” she says, “plus it made us laugh, which is always good in this economy!”

“Must Be Nice,” the first single from Chicago band Varsity’s forthcoming album Parallel Person, has a title that comprises a double meaning. The title phrase is habitually “bandied around sarcastically,” says singer and keyboardist Stephanie Smith. But she says it can also be an ultimatum, as in: “I must be nice in order to be liked/noticed/not be considered a b****.”

The song itself is a catchy slice of indie-pop, the punchiness of which is undercut by Smith’s self-conscious lyrics: “I know I can’t cry in front of them / But if I could,” she trails off anxiously. Smith says the song was conceived of more as “a mood and the idea of repetition rather than a narrative or a complicated structure.” Propulsive bass and drums give the song an urgent feel, while intertwined keyboard and guitar riffs lend a surfy, eerie charm.

The video for “Must Be Nice,” by animator Shane Beam, reflects the song’s mood and cyclical nature. Beam “totally honed in on the repetition, psychedelic imagery and playful tone of this tune,” Smith says. “The resulting video highlighted themes and images that we hadn’t noticed before,” she says, “plus it made us laugh, which is always good in this economy!”

From our new record Parallel Person out 4/27 on Babe City Records.

It’s impossible for us to be more than excited to welcome the fantastic LADY PILLS to the Babe City Records family. This fresh three-piece formed in October 2015 in Boston, and are readying the release of their debut full-length – “Despite” – out this summer on Babe City Records.

It’s been a few crazy months for Allston trio Lady Pills. The band turned heads at South-By-Southwest  back in March, Now, Ella Boissonnault (vox/guitar), Alison Dooley (vox/bass), and Claire Duhring (vox/drums) have announced that Lady Pills have signed to Washington, D.C. indie label Babe City Records, which will issue their debut album this summer. The LP release follows last fall’s demo EP,

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Check out what we think about their music on their artist page, and share the good news. Tour dates, singles and more a-comin’.
LADY PILLS is:

Ella Boissonnault – Vox/Guitar
Alison Dooley – Vox/Bass
Claire Duhring – Vox/Drums

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