Archive for the ‘MUSIC’ Category

Banner

We’ve always viewed songs as living and breathing. The studio recordings are timestamps of those versions and the songs evolve on every tour.  We love releasing stems to our albums to let you dig deeper into the recordings and reinterpret the music. In that spirit, we’re honored to have an incredible cast of artists take Violet Street into new and unexpected directions.
We’ll be releasing Violet Street Remixed in 3 volumes.

http://

 

Enter Pottery. Enter Paul Jacobs, Jacob Shepansky, Austin Boylan, Tom Gould, and Peter Baylis. Enter the smells, the cigarettes, the noise, their van Mary, their friend Luke, toilet drawings, Northern California, Beatles accents, Taco Bell, the Great Plains, and hot dogs. Enter love and hate, angst and happiness, and everything in between. Beginning as an inside joke between the band members, “Welcome to Bobby’s Motel” have grown into so much more. They’ve become the all-encompassing alt-reality that the band built themselves, for everyone else. So, in essence, Bobby is Pottery and his motel is wherever they are.

The 11 songs on Welcome to Bobby’s Motel don’t just invite you to move your body; they command you to. Fusing reckless, manic energy with painstaking precision, the record is part post-punk, part art-pop, and part dance floor acid trip, hinting at everything from Devo to Gang of Four as it boldly careens through genres and decades. The music is driven by explosive drums and off-kilter guitar riffs that drill themselves into your brain, accented with deep, funky grooves and rousing gang vocals. The production is similarly raw and wild, suggesting an air of anarchy that belies the music’s careful architecture and meticulous construction. The result is an album full of ambitious, complex performances that exude joy and mayhem in equal measure, a collection that’s alternately virtuosic, chaotic, and pure fun.

On Hot Dog Yellow Vinyl Who is “Bobby,” you ask? Enter Pottery. Enter Paul Jacobs, Jacob Shepansky, Austin Boylan, Tom Gould, and Peter Baylis.

After an assured vocal feature on The National’s ‘Where Is Her Head’ last year, Eve Owen garnered more attention with the release of the lovely ‘So Still For You’ in January this year.

Although these are very early days for London-based songwriter Eve Owen, she’s already making quite the impression. With just a handful of singles shared so far, Eve has already played a number of well-received headline shows, as well as supporting the likes of Hayden Thorpe, and was, prior to recent events, set to head out supporting The National. Eve’s links to The National run deeper than just a support slot though, her debut album, Don’t Let The Ink Dry, was recorded with the band’s guitarist, Aaron Desner, in New York, and she even helped with the recording of Where Is Her Head, from their I Am Easy To Find record.

This week, Eve has shared the latest track from, Don’t Let The Ink Dry, the delightfully crunchy sounding, Blue Moon. The track marked something of a turning point for Eve’s recorded output, as it was the first time she’d ever sang with electric guitar. The rawer sounding guitar tone gives Blue Moon a certain wildness, matched in Eve’s free and spontaneous vocal, that in her own words, was an attempt, “to capture some sort of Stevie Nicks atmosphere”. It’s a testament to the songwriting here that so much is captured with just voice and guitar, as Eve channels a spirit of “unrequited love, but not the hurtful kind”. The track is a reflection on an admiration so strong, you’re happy just to be friends with that person, as Eve explains, “I think when you take it upon yourself to truly accept unrequited love and still keep it, is when you’re finally becoming stronger again”. Eve Owen may be be a young songwriter taking her first steps into the sometimes cruel musical world, listening to Blue Moon, you wouldn’t bet against her soaring to the very top.n Yesterday’s release, ‘Blue Moon’, is just as strong. Building with classical instrumentation and soaring vocals, Owen sings of a deep appreciation and devotion, formed into the image of a blue moon.

Her album, which was produced by Aaron Dessner, will be released on 37d03d Records – a collective set up by Dessner and Bon Iver’s Justin Vernon.

From the forthcoming album Don’t Let The Ink Dry, out May 8th on 37d03d.

Today is the day! Pigs x 7 release their third album ‘Viscerals‘ is out there in this weird, wild world, courtesy of Rocket Recordings. The noise loving Newcastle-Upon-Tyne quintet featuring Matt Baty, Sam Grant, Adam Ian Sykes, John-Michael Hedley and Christopher Morley. We hope that you enjoy it as much as we do, and we look forward to hearing what you think and seeing you at a show as soon as is possible. For Lockdown Listening we recommend playing it loud, whilst exercising, cleaning, cooking or just simply when having a lovely, cathartic time. Powerful, primal, passionate music-making. An infectious, ambitious, raucous, riff-driven record. A workout of sheer musical magnitude and absolutely their best yet.

Adam Ian Sykes (guitar): It’s a strange time to be releasing an album, no doubt, but the reception and support we’ve had from people has been incredible. It’s odd spending months preparing for a long period of touring an album for that to be pulled from underneath from you but despite that, we’ve really enjoyed the run up to release and we’re still excited to get it out there for people to hear. Seeing as we’re not allowed to leave the house at the moment, we’re gathering together at 7pm BST on our YouTube channel in order to have a chat, a listen back to the record and welcome guests including Geoff Barrow of Beak, Self Esteem, ‘Viscerals’ cowbell performer Richard Dawson and Dev from Idles

‘Viscerals’ is available on vinyl LP, CD and digital formats from wherever you buy your music. To purchase one of the three limited edition vinyl versions currently available, in blood red sparkle vinyl. Rocket Recordings

Band Members
Matt Baty (Vocals)
Sam Grant (Guitar)
Adam Ian Sykes (Guitar)
Christopher Morley (Drums)
John-Michael Hedley (Bass)

Chewing is the solo project of Local Natives’ Nik Ewing. He has announced a new album where he covers Dennis Wilson’s 1977 classic “Pacific Ocean Blue” in its entirety as part of Turntable Kitchen’s Sounds Delicious Series. He has shared two tracks from it: “River Song” (which features the rest of Local Natives) bandmates and “Moonshine” (which features Cults). The album was released December 21st.

http://

Ewing had this to say about the album in a press release: “With zero hyperbole, driving across LA can take half an hour or four days. One of the more manageable times I drove across the city, it took me 37:15, the length of Pacific Ocean Blue by Dennis Wilson. Like many important first album listening experiences, the entire environment surrounding that listen burnt into my memory. It was like that sad, dark album was made specifically for that specific sad, dark drive across LA. A haunted, outcast Beach Boy who still sung simple Beach Boy lyrics like ‘I’m sorry, I miss you’ but whose weathered voice is painfully more honest without the hollow late ’70s shine from his band (who seemingly didn’t miss him that much).

http://

The first single from Chewing’s full album tribute to Dennis Wilson’s Pacific Ocean Blue featuring Local Natives.

“I really love when artists give their own radical take on a song (Jukebox by Cat Power is criminally underrated IMO). Luckily this album isn’t as ‘sacred’ as if I covered Pet Sounds in its entirety, which allowed me a lot more liberty. I wanted to re-imagine this album in a much darker and ambient context: to flow like a lost mixtape, to sound cohesive with all the voices (and trumpet, hi Nico!) weaving in and out throughout (and obviously I couldn’t NOT have my band contribute beautiful, lush harmonies to a Beach Boy cover album).”

http://

The 12th release in the SOUNDS DELICIOUS limited edition vinyl subscription series. Chewing featuring Local Natives, Cults, POP ETC, Evan Voytas, and Nico Segal reimagine and pay tribute to Dennis Wilson’s Pacific Ocean Blue by covering it in its entirety.

RBCF - Sideways to New Italy

After enough time away from home, even the familiar starts to feel foreign. For guitar-pop five-piece Rolling Blackouts Coastal Fever, returning to Melbourne after long stretches looking out at the world through the windows of airplanes and tour vans lead to dislocation, like being the knot in the middle of a game of tug-o-war. Their second record, Sideways to New Italy (Sub Pop Records), sees the band interrogate their individual pasts and the places that inform them. In clicking the scattered pieces back into place, they have crafted for themselves a new totem of home to carry with them no matter where they end up.

Lead by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney (and rounded out by bassist Joe Russo and drummer Marcel Tussie), the band began grasping for something reliable after emerging from relentlessly touring their critically regarded debut Hope Downs. “Sideways to New Italy” on June 5th via the fine folks at Sub Pop. Everything they have released has been awesome.

Home, for Russo, manifests in different ways: there’s Melbourne, where he and brother Joe grew up, but also Southern Italy where the forebears of their family originated. The album is inspired by New Italy – a village near New South Wales’s Northern Rivers – the area Tussie is from. A blink-and-you’ll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians’ contribution to Australia, with replica Roman statues dotted like souvenirs on the otherwise rural landscape. As members of the band individually visited the Mediterranean and returned home to Melbourne’s inner-north, where waves of European migrants forged a sense of home since the 1950s, they realized the emotional distance between the two was minuscule. The prominent and romantic Greco-Roman statues that sit outside tidy brick homes in Brunswick represent, for Russo, an attempt to “build a utopia of where your heart’s from.”

“I wanted to write songs that I could use as some sort of bedrock of hopefulness to stand on, something to be proud of,” says Keaney. “A lot of the songs on the new record are reaching forward and trying to imagine an idyll of home and love.” This is the bulk of Sideways to New Italy, which boasts love songs, and familiar voices and characters, grounding the band’s stories in their personal histories.

The same can be said of this record, where White’s early attempts at writing big, high-concept songs were abandoned in favor of love songs (“She’s There,” “The Only One”), and familiar voices and characters filter in and out, grounding the band’s stories in their personal histories. On “Second of the First” the voice of a close friend joins White’s partner in delivering a spoken word passage; the chorus from “Cool Change” began its life in a song the trio played in an early band, over a decade ago; the chords from “Cameo” were once in an eventually abandoned song called “Hope Downs”; an early version of “Falling Thunder” featured a reference that only their friends would recognize.

“Sideways to New Italy” on June 5th via the fine folks at Sub Pop Records. Everything they have released has been awesome to date.

Recorded live at The Crocodile in Seattle, Washington on August 17th, 2019.

We had an amazing West Coast weekend in Seattle in August 2019, holing up at The Crocodile for three super fun shows. We’d just released “Thrashing Thru The Passion” and were in the mood to celebrate. This set kicks it off with a Positive Jam and features quite a few songs from TTTP: Epaulets, Star 18, Confusion in the Marketplace Entitlement Crew– and Blackout Sam in the encore.

Side note, we’d written the song “Meet Me In The Lobby” at soundcheck that day and recorded it the next week in Chicago. Good times. Hope you enjoy. Thanks for listening. Thanks for understanding. Stay Positive.

For each Bandcamp “Unified Fridays” live recording The Hold Steady releases, we’ll be donating a portion of the proceeds to a staff fund from one of the past shows.
Proceeds for this show will go to the staff relief fund for The Crocodile.

http://

released April 3rd, 2020

The Hold Steady are: Bobby Drake, Craig Finn, Tad Kubler, Franz Nicolay, Galen Polivka, Steve Selvidge

Image may contain: 1 person

NPR continued their at-home version of their Tiny Desk Concerts series this week with a special performance by Michael McDonald.

After five-time Grammy winner Michael McDonald finished “Matters Of The Heart,” the opening song in his Tiny Desk (home) concert, there was a brief pause. The bewilderment on his face was unmistakable. It’s a look I believe we all can relate to in this moment of uncertainty. He sat in his home studio, complete with an illustration of the Tiny Desk drawn by Mr. McDonald himself. That pause, usually reserved for the anticipated applause, was replaced by complete silence.

After offering his solo cut “Matters of the Heart,” McDonald dives into two Doobie Brothers classics, “Minute By Minute” and “What A Fool Believes.”

After 25 years, McDonald reunited with the Doobies in November 2019, announcing a full summer tour to celebrate the band’s 50th anniversary.