Leading the charge are Sweden’s anarchic Viagra Boys, who will ignite the gardens with their chaotic, gritty, and absurdist punk energy. Joining them is The National frontman Matt Berninger, whose velvety baritone and lyrical elegance will sweep you away in a haze of poetic brilliance. Meanwhile, shoegaze dreamers DIIV make their End of The Road debut, bringing a swirl of fuzzed-out guitars and wistful melodies.
Elsewhere, Christopher Owens – of Girls fame – will bare his soul with raw vocals and warm, fuzzy tones, reminding us why his music continues to resonate. Indie darling Katy J Pearson returns with a refreshed sound—her signature intimate songwriting now infused with electronic textures and chopped-up vocals, offering a bold new direction.
Sharon Van Etten & The Attachment Theory and shape-shifting auteur Youth Lagoon will kick things off on Thursday, whilst electronic pioneer Caribou return to Larmer Tree Gardens this time taking the billing reins on Friday.
They top a faultless supporting cast including GOAT, Bombino, Joy Orbison and These New Puritans as well as Garden Stage headliner, and The National frontman, Matt Berninger, and Irish folk experimentalist Lisa O’Neill.
Saturday is topped by fearless pop brilliance from Self Esteem, who will follow Mount Kimbie, Sofia Kourtesis and Jim Ghedi. Viagra Boys, Geordie Greep and Emma-Jean Thackray grace the Garden Stage, whilst DIIV bring their noise-rock romance to the Big Top. Down at The Folly, bdrmm, Ducks Ltd and jasmine 4.t will warm up the stage for your usual high-energy late-night Surprise Shows.
Jimmy Page & The Black Crowes celebrate 25 years of their iconic live album Live at the Greek, available worldwide on March 14th. This special anniversary release features 36 newly remixed and remastered recordings, including 16 never-before-released tracks from the legendary 1999 performances at The Greek Theatre in Los Angeles.
“I’m really looking forward to the soon-to-be-available release of Jimmy Page & The Black Crowes material from concerts in 1999. The new mixes capture the collaboration of those historic encounters and provide the full explosive passion and exciting energy of those alchemical moments.” – Jimmy Page
“The new “Live at the Greek” box set brings the whole experience of our work with Jimmy into a vibrant, electric, mystical, and powerful perspective. Hail, hail rock ‘n’ roll!” – Chris Robinson
“Going through the shows and putting together the new box set has been such an incredible dive back to that time in our history. It was a once-in-a-lifetime thrill to play these amazing iconic songs with the man who composed them. The sound of the new mixes and extra songs blew me away when I first heard them.” – Rich Robinson
The album now is on 6LP box set, 3CD set, and on a limited 2LP “Best Of” edition and listen to the newly released tracks, “No Speak No Slave” and “Bring It On Home”
‘Moonlight Concessions’ goes back to basics; a return to their esoteric, off-kilter best, courtesy of Kristin’s pin-sharp sketches and their suitably abrasive musical arrangements.
The album follows their acclaimed ‘Sun Racket’ from 2020, a heady set filled with tough and tender tales spiked with surreal imagery.
Produced by Kristin Hersh at Steve Rizzo’s Stable Sound Studio in Portsmouth, Rhode Island, ‘Moonlight Concessions’ is a collection of snippets from everyday life writ large – think Raymond Carver Short Cuts, overheard conversations, recounted happenings and telling one-liners, all sewed together to illustrate the times as they slowly mature, fully peppered with original Muses’ vim and vigour.
‘Drugstore Drastic’ is a kerbside soliloquy caught en route to a more alluring rendezvous. Built on a brisk acoustic strum with a guitar sub-melody underpinning proceedings, it’s an unfolding tale of social awareness from a blurred sub-conscious. ‘Summer Of Love’ began as a bet with a guy for a dollar that revolved around the idea that the seasons don’t change us. The album opener, it’s a haunting baroque overture, bowed and brooding. ‘Libretto’s strings offset the acoustic ambience, the hot and cold of longing at the very heart of it, a thematic driver filed with warmth in a safe haven lubricated by tequila.
Written in the differing South Coast environs of The Gulf Of Mexico and Southern California, ‘Moonlight Concessions’ pulls from the star clusters that light both, generating optimism and hope in varying degrees. Hersh explains, “In New Orleans the stars look greenish-blue, as it’s below sea level and swamp-lit. But on Moonlight Beach, they glow icy white. All these songs were written in these two glowy places, which helped our sonic technique find itself.”
New album ‘Moonlight Concessions’ (out 14th March via Fire Records) is released alongside the deviously titled, ‘Moonlight Confessions’, a companion record exclusively available with Rough Trade.
After two consecutive new Jethro Tull album releases in 2022 and 2023, another collection – ‘Curious Ruminant’ – is unleashed on the 7th March 2025. Consisting of nine tracks varying in length from two and half minutes to almost seventeen minutes, this is an album of mostly full band music. Amongst the musicians featured are former keyboardist Andrew Giddings and drummer James Duncan, along with the current band members David Goodier, John O’Hara, Scott Hammond and, making his recording debut with the band, guitarist Jack Clark.
Jethro Tull has released “The Tipu House,” the second single from their upcoming album “Curious Ruminant”.
The song cuts its hints of utopia, where “you feel for your neighbour,” with acidic lines like “The day of books and roses shown firmly to the door.” At three and a half minutes, “The Tipu House” recalls the band’s folk-rock roots, complete with a flute solo.
(Fans craving Tull’s more progressive leanings will welcome the album’s 17-minute penultimate track “Drink From the Same Well.”)
“Our societies are filled with those who have risen from relative poverty to positions of greatness in the world and their successes are a beacon of hope for the rest of us, even if ‘greatness’ is a relative concept at the end of it all,” bandleader Ian Anderson notes in a press release for the new song.
With their fourth single, ‘Hangman’, from our fast approaching debut album ‘Drive to Goldenhammer’ is now out and about in the big wide scary world. The single is accompanied by a beautiful music video directed by our very own Tiger Cohen-Towell. It is funny, and features many wonderful handmade props and cameo performances by dear, dear friends and colleagues of Divorce.
I wrote the skeleton of ‘Hangman’ late one freezing January night in my mouldy bedroom in the flat I was living in in woolwich back in December 2022. had just got home from a long shift as a support worker. It was an intense job, working with one brilliant but complex individual who required 24/7 care. The job necessitated a high level of control of my emotions, a constant state of alertness, a readiness to come up with engaging activities and a total absence of self-interest.
In this kind of situation, it seemed a level of emotional numbness on my part was inevitable, like a subtle film over my senses to protect against the difficult things I encountered, or in musical terms; something like a compressor, to level out the peaks and troughs and keep a steady level.
However, supporting one person closely and consistently, it is impossible not to feel invested in their life, wanting to make things easier for them and for the people around them.
The tension between numbness and care, along with the fatigue of long hours and the subsequent adrenaline dumps from dealing with stressful and unstable situations, came together to create the conditions in my brain to write this song, which came out lyrically complete within about twenty minutes.
I used Tiger’s Omnichord, an instrument I wouldn’t usually write on, and I think its rigidity and harmonic restrictions helped in some way to unlock my subconscious mind and force me not to overthink things.
Feverishly listening back to the voice note the following morning over and over, heading back to work, it helped some things make sense to me. I only worked in the job for about six months, but it was the hardest and most rewarding work I’ve ever done and my level of admiration for the people in my team and the people working in the incredible organisations I encountered throughout is immense. There is a hidden world of wonderful people who work unbelievably hard, often overcoming great hardships in their own lives to make other people’s lives liveable. It is rarely seen or acknowledged in a wider society that is fundamentally deficient when it comes to embracing difference, illness or anything outside of the “normal”.
So that’s the story behind ‘Hangman’. Thanks for reading, there’ll be even more coming so soon!
Three never-before-heard live songs from JohnLennon are included on ‘Power to the People: Live at the One to One Concert, New York City, 1972’. The limited-edition yellow-vinyl EP celebrates his only full-length solo concerts after The Beatles split, performed with Yoko Ono, the Plastic Ono & Elephant’s Memory as part of a benefit at Madison Square Garden. A combined audience of some 40,000 was on hand, with more than $1.5 million raised for children with special needs.
Lennon along with his wife played a matinee and evening performance to a total of 40,000 people in 1972, to benefit children with special needs, and raised a whopping $1.5 million, with some of the money raised going to the Willowbrook State School in Staten Island, New York, which was infamous for its poor conditions.
The historical event – which came two years after the legendary Liverpool band officially split – also saw performances by the likes of Stevie Wonder and Roberta Flack. ‘Power To The People – Live At The One To One Concert, New York City, 1972’ tracklisting:
SIDE A, 1. ‘Well Well Well (Evening Show)’ 5:36*, 2. ‘Instant Karma (We All Shine On) (Afternoon Show)’ 3:36 ** SIDE B, 1. ‘Cold Turkey (Afternoon Show)’ 5:54* 2. ‘Don’t Worry Kyoko (Mummy’s Only Looking For A Hand In The Snow) (Afternoon Show)’ 4:44* * Previously unreleased
Produced by the couple’s son, Sean Ono Lennon, the four tracks have been remixed and re-engineered from the original multi-track tapes by Paul Hicks and Sam Gannon.
They include the previously unreleased performances of ‘Well Well Well’, ‘Cold Turkey’ and Yoko’s ‘Don’t Worry Kyoko (Mummy’s Only Looking For A Hand In The Snow), while ‘Instant Karma! (We All Shine On)’ has been newly remixed.
“The Scream”, Siouxsie & the Banshees’ first album, was released late enough in the punk era to bear some claim as the first post-punk album, with only minor traces of ‘punk’ lingering) and enough hints of what had come even earlier to be, paradoxically, new.
Siouxsie was clearly the focus of the band, with her unique vocal style and lyrics, but the real star, we’ve always known, was John McKay he was the first studio guitarist of Siouxsie and the Banshees. He was a member of the group from July 1977 until September 1979., who wrote most of the album’s music (as well as singles like “Hong Kong Garden”), He recorded two studio albums with the band, their debut album “The Scream” in 1978 and “Join Hand”s in 1979.creating a wholly new guitar sound – harsh and brittle, yet melodically intoxicating . . . best articulated by a somewhat confounded Steve Albini years later “. . . only now people are trying to copy it, and even now nobody understands how that guitar player got all that pointless noise to stick together as songs”.
McKay’s influence lives on; many of the most influential guitarists of the past four decades credit him as a major influence – Geordie from Killing Joke, Jim Reid of The Jesus And Mary Chain, U2’s The Edge, Thurston Moore, Johnny Marr and even the two guitarists – The Cure’s Robert Smith and Magazine’s John McGeoch – who followed him in The Banshees.
McKay’s burgeoning status as the anti-guitar hero was halted when he and Banshees drummer Kenny Morris – at odds with Siouxsie and bassist Steve Severin – fled the band just after the start of a tour supporting the group’s second album, “Join Hands”. It was a weekly music paper scandal, later the subject of a BBC documentary, and Siouxsie’s vitriol working its way into the lyrics of a later Banshees b-side, “Drop Dead / Celebration”. Aside from a solitary single on Marc Riley’s In Tape label nearly a decade later, no music was heard from McKay again.
So it comes as a major surprise to learn of a pile of excellent recordings made in the years just after he left The Banshees, unheard by all but a very few, some of which feature drummer Kenny Morris, plus Mick Allen from Rema Rema, Matthew Seligman of the Soft Boys and longer-term collaborator GrahamDowdall and John’s wife Linda . . . the latter three of whom are now sadly deceased.
“Sixes And Sevens” is an historic lost album. Brazenly genius and bearing fair claim as the lost treasure of the post-punk era, the album collects eleven studio tracks, carefully mastered from original tapes.
the line-up for Beautiful Days 2025. Proudly independent and without advertising, we have already sold well over 50% of our tickets – thank you to everyone who has bought already. Ticket prices have been held since last year. We’ve got entertainment across 6 stages plus The Magic Teapot, Site Art, a huge Children’s Area, Kanga Wellbeing, Walkabout Theatre, family camping, real ale bars from Otter Brewery, Folk Sessions and a vast selection of carefully chosen food & craft stalls. Here is more info about today’s announcement…..
Headlining the Main Stage on Friday is Frank Turner & The Sleeping Souls – Frank is one of the UK’s most successful artist and since his first solo gig in 2004 has played nearly 3,000 shows including Wembley Arena. He released his tenth studio album ‘Undefeated’ in May 2024 which debuted at Number 3 in the Official Album Chart. With over a million albums sold worldwide, he has three gold-certified albums and one silver status. The festival’s Saturday headliner is one of the most influential rock bands of all time Sex Pistols featuring Frank Carter. Steve Jones, Paul Cook and Glen Matlock with modern-day punk icon Carter created a sonic onslaught and mayhem reminiscent of 1976 when they came together in Summer last year to perform the Sex Pistols’ iconic 1977 album Never Mind The Bollocks in full. Carter fitted like a glove, perfectly recreating the songs that changed the world including Pretty Vacant and Anarchy in the UK. Festival founders Levellers will headline the Main Stage on the Sunday to close the weekend followed by the festival’s traditional firework finale. The band will also open the event with a Levellers Collective acoustic set in The Big Top.
Also announced for the Main Stage are beloved rock band Shed Seven who celebrated two number one albums within a single year in 2024. Their previous Top 10 albums feature fan-favourites songs including Going For Gold and Chasing Rainbows. Rabble-rousing Irish ballad group The Mary Wallopers, space rockers Spiritualized led by J Spaceman and Kula Shaker, known from the heady days of Britpop and multi-platinum selling album ‘K’. Legendary Northern Irish rockers Therapy? who celebrated the 30th anniversary of career-defining album Troublegum in 2024. Bradford’s Terrorvision who scored their first Top 30 album in over 20 years in 2024. Sleeper who are back on the road performing live after hibernating for twenty years and, now entering their 50th year, legendary roots reggae band Misty in Roots.
Also featuring on the Main Stage bill are Hasting’s punk band Kid Kapichi, back from a hiatus are West London maestros The Bluetones, Cardiff-based punk quartet Panic Shack, quintet The Barstool Preachers and folk rock & bluegrass from Devon’s Mad Dog Mcrea. Completing the Main Stage line-up are Essex punk duo The Meffs, the ferocious and joyous punk band Millie Manders and The Shutup, the raggle-taggle footstompin’ ensemble that are Old Time Sailors, British indie rock brothers Henry and Thomas aka Young Knives, alternative pop band Girlband!, up and coming 4 piece The Kairos, raw rock’n’roll from Heavy Lungs and the unapologetically frantic Grandma’s House.
Friday’s headline act for The Big Top is still to be announced. Topping the bill on Saturday on the festival’s second stage is Mercury Rev. Since forming in 1989 in Buffalo, New York they have made a career of boldly exploring the fringes of artistic perception. The Guardian hailed the group as “a band who have continually evolved their sound, borrowing from jazz, funk, doo-wop, techno, folk and more along the way”. Sunday’s headline artist is 3 x Grammy Award winner Fantastic Negrito who released new album Son of a Broken Man in October 2024. Born Xavier Amin Dphrepaulezz, Fantastic Negrito’s remarkable life story is a testament to resilience and the transformative power of music.
Also in The Big Top is American singer, musician, and songwriter John Grant whose profile has risen over the years through a series of rapturously received and chart-bothering albums. If Grant’s records are beautiful cut jewels, perhaps his star shines even brighter on stage where this endearing character’s deeply personal sagas trigger an immediate response from his loyal following. Often hailed as the ‘First Lady of Folk’ Kate Rusby has earned numerous accolades solidifying her status as a beloved figure in contemporary folk music. Scottish singer and multi-instrumentalist Julie Fowlis (perhaps best known for her work with the Disney Pixar movie Brave) is widely heralded for championing traditional Gaelic. Her music is deeply influenced by the Hebridean islands where she grew up. The Spell Songs is a listening experience that intersects music, literature, language and art with an ensemble featuring the collaborative genius of Karine Polwart, Julie Fowlis, Seckou Keita, Kris Drever, Rachel Newton, Beth Porter and Jim Molyneux—all renowned musicians in their own right. John Bramwell has been on a never-ending rolling adventure since his workings away from the cherished, Mercury Prize nominated Mancunian band, I Am Kloot. Performing with his band, Bramwell’s songs are surprisingly uplifting and have been igniting crowds all over the UK.
The Big Top also features Penguin Cafe founded in 2009 by Arthur Jeffes after bringing together a group of musicians to perform his late father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music. Westcountry singer-songwriter Seth Lakeman who releases new album The Granite Way in February 2025. Award-winning indie folk band Elephant Sessions from the Highlands of Scotland also play, as does the multi-talented traditional folk artist Jon Boden with his band The Remnant Kings which features the talents of his Bellowhead band-mate Sam Sweeney and Leveret’s Rob Harbron amongst others. Also announced are Gigspanner Big Band whose high-energy, virtuosic performances appeal equally to traditionalists and to those looking for something more experimental, plus Australian country artist Fanny Lumsden, the UK and Moroccan collaboration Justin Adams & Mohamed Errebbaa and folk singer & guitarist Nick Harper.
The Big Top line-up is completed by country-tinged solo artist Rianne Downey who has been touring recently with Paul Heaton, plus folk-inspired songwriter Amelia Coburn, Stockport-born accordionist, clog dancer and composer Heather Ferrier, indie quartet The Autumn Saints, Welsh singer-songwriter Ruby Kelly, the now traditional Sunday Service with The Bar Steward Sons Of Val Doonicans plus special guests and Levellers Collective who open The Big Top on the Friday afternoon playing acoustic reworkings of songs from their back catalogue.
The Little Big Top plays host to acts and DJs including FISH56OCTAGON, Henge, Beans On Toast, Youth, Girls Next Door, A. Skillz, Omega Nebula, Reach Up Disco Wonderland and DJ Chris Tofu OBE plus Silent Disco and family rave with Big Fish Little Fish. First shows announced for the seated Theatre Tent are Cabaret Extreme Present Circus Unleashed, favourites Le Navet Bete and Entertainingly Different, Charlie Bicknell & Louise Innes present Cabaret With Claws, Professor Slug’s House Of Bugs, poetry from Brian Bilson & Henry Normal, Fiery Jack’s Family Album and brand new Webber! The Musical. The line-up for The Bimble Inn and The Rebel Tent are still to be come. Our 2025 theme is still to be announced!
Drumroll please! From Big in Japan and The Slits to Siouxsie and The Banshees and The Creatures, Budgie crafts a captivating memoir that traces his singular style, which came to define the rhythm section of post-punk and goth pop.
Hardback+ signed by Budgie with Billy and the Hells art print plus two bonus postcards from Budgie’s personal archive.
The Fat Angel Sings 