The new release this week was ‘Bits’, the second single from No Joy’s forthcoming album “Bugland“, which is out on August 8th.
It’s a stunning song, which switches effortlessly between Lush dreampop and L7-style grunge. “The original demo was built around me blowing out my guitar distortion using the EarthQuaker Devices Bit Commander guitar pedal,” explains No Joy’s Jasamine White-Gluz. “Thematically, I wanted to capture the feeling of running through tall grass, playing hide and seek behind big trees.”
The spoken word towards the end of the song is excerpts from a letter Jasamine wrote to the music media as a child in 1994 defending Courtney Love and urging them to leave her alone.
It’s the Canadian shoegazers long-awaited fifth album “Bugland”. Now the solo project of Jasamine White-Gluz, it’s their first new material for five years and also their debut for Sonic Cathedral. “Bugland” finds Jasamine Gluz-White teaming up with producer Fire-Toolz (aka Angel Marcloid) to create the aural equivalent of a late-’80s i-D magazine front and back cover, with a non-problematic National Geographic hiding within. It was, at least in part, inspired by White-Gluz’s move to a more rustic area of Quebec, something which also explains the gap between albums.“The wait wasn’t intentional,” she explains, “but I think rural living made me tune out the noise of the music biz and focus more inwards, writing and taking my damn time.”
The hook-up with Fire-Toolz was inspired. The renowned future fusionist adds not only magical co-production, but other sonic additions/dances/noises/mysticism. “The collaboration really felt limitless,” she enthuses. “I could easily relate to it because Jasamine and I liked a lot of the same music, and I was able to be creative in ways that were freeing as if I was making my own album.” Both spent days driving on empty rural highways listening to the mixes, and it reflects in the final product. With an open ear, many “influence eggs” can be detected by the listener. ‘Garbage Dream House’ is Zooropian without any of U2’s ego baggage. Epic closing track ‘Jelly Meadow Bright’ even manages to meld the out of control saxophone from The Stooges’ Fun House with the chill buoyancy of a high-end spa. Touching on respected, familiar genres and sounds while attempting to advance one’s own isn’t easy but “Bugland” manages to. What genre is it anyway? Is it even shoegaze when it could live happily on a shelf next to Boards of Canada and Autechre? The right answer is ‘yes’. What a lovely shelf it would be as well. “Bugland” is a testament to White-Gluz’s evolution and her ability to channel a wide variety of tastes into something cohesive that can descend into fine-tuned chaos, then out of that chaos with ease.
From the forthcoming album “No Joy” album “Bugland”, August 8th 2025 via Hand Drawn Dracula & Sonic Cathedral.
The Fat Angel Sings 