
Brighton-based Falmouth garage rockers Holiday Ghosts announced a brand-new album ‘Absolute Reality’, back in April 2023 via FatCat Records (TRAAMS, Honeyblood, The Twilight Sad, We Were Promised Jetpacks), the band shared the rollicking lead track ‘Vulture’, .
Arriving hot on the heels of acclaimed 2022 EP ‘Credit Note’, ‘Absolute Reality’ tackles different themes of social commentary, with fiery lyrics and hard-picked guitars, holding both honest confessions and tall tales, lived stories and movielike landscapes. Bringing the noise and texture that Holiday Ghosts love from New York punk and the new wave era, ‘Vulture’ cements their status within today’s alt-rock scene.
Between their last album ‘North Street Air’, to the present day of ‘Absolute Reality’, Holiday Ghosts have rocked iconic stages throughout the UK & Europe, from Latitude Festival to Left Of The Dial, from Dot to Dot to ‘Misty Fields’ from the Pyrenees mountains to the chapels of Chester. They’ve shared stages with acts including Black Lips, Bodega and The Bug Club, attracted widespread praise across the press landscape (The Guardian, Stereogum, Brooklyn Vegan, KEXP, DIY, So Young, The Line Of Best Fit, Clash, Gigwise), and clocked-up live sessions/interviews aplenty on BBC 6Music with key tastemakers such as Steve Lamacq and Marc Riley.
“Falmouth’s finest blend primal garage rock, rock’n’roll, DIY punk, blues and giddy exuberant tunefulness” The Guardian
“Holiday Ghosts’ scrappy, snappy rock & roll feels almost timeless” KEXP
“Rough-hewn jingle-jangle with a heartwarming feel” Clash
Speaking ahead ‘Vulture’ single release, Holiday Ghosts’ Samuel Stacpoole revealed: “This song has had two lives. I remember playing it a lot five or six years ago on acoustic guitar as a kind of spaghetti western instrumental. It was half the speed and really atmospherically menacing. I’ve lost interest in musically pretending that I’m in a western movie now. When reimagining this track I’d been obsessively listening to the first The Cure compilation ‘Boys Don’t Cry’ and Young Marble Giants/Weekend. That style of production which has so much emphasis on space really got under my skin”.