“I love this song and I am addicted to it,” Miya Folick says of the latest single from her new album “Roach”. “I wrote the melody and lyrics for ‘Cockroach’ driving home from a friend’s house. It was May 2021, and I was feeling like I had spent the last couple years continuously dragging myself back up onto my feet after getting knocked around by life and circumstances out of my control (I think others may be able to relate). I got home and quickly made a demo of the melody with the keyboard parts and the guitar line. I thought it would be an interesting interlude or intro for the record, but it became something so much more powerful. I asked Sam KS to play some simple drums on it and he ended up playing this in one take, transforming the song into something that feels anthemic in its own odd way.”
“Roach” is Miya Folick’s clearest and most direct work yet, eschewing some of the lyrical and musical obfuscations she layered onto her 2018 debut album, “Premonitions”. With ear-worm melodies, heart-wrenching poetry, eclectic production and anchored by Folick’s once-in-a-lifetime voice, “Roach” straddles a line between pop and something more experimental. She enlisted a team of collaborators who she trusted to bring out the grittier side of her artistry, including Gabe Wax (War on Drugs, Fleet Foxes), Mike Malchicoff (King Princess, Bo Burnham), Max Hershenow (MS MR) and a team of some of LA’s best players. The result is an album that sounds as honest and intimate as the subject matter at hand, a candid snapshot of where she is now and what it took to get there.
The Fat Angel Sings 