The Fat Angel Sings

Gang Of Four were formed in the punk rock fallout culture of late seventies Leeds – a place where art was a mirror and guitars were machine guns. Gang of Four tore up the template and made sense of the question marks thrown up by year zero.

They redesigned rock in the punk aftermath, taking the incendiary energy of the form and crisscrossing it with funk, stripping away the baggage of rock excess and creating a new stripped-down music that was full of agit energy, heavy grooves, shrapnel guitars and politically charged lyrics matching the fervour of the times. Swerving trad rock rhythms, the beats were invented from scratch and every instrument played a pivotal role in the sound in a non-hierarchical structure. In short, they came up with post punk.

More recently, the band’s influence has become almost universal—now everybody talks about Gang of Four. From Franz Ferdinand to St Vincent, from Sleater Kinny and James Murphy of LCD Soundsystem to Nine Inch Nails: today’s creators of angular rock music have GO4’s influence and imprint all over them. The band is reaching an urban audience with Frank Ocean sampling them on his latest album and Pharrell name-checking the band in his interviews.

Inevitably GO4 disbanded in 1984 but reformed later that decade, since then releasing a series of albums that emphatically demonstrate their capacity for invention and twisting energy. The line-up now includes Thomas McNeice—the bass player joined in 2008—and John ‘Gaoler’ Sterry, who has supplied vocals since 2011. The new album is full of subversive blasts of hook-heavy pop-inclined songs.