“Plus ça change, plus c’est la même chose,” sayeth the French. Just more than a year ago, Heaters shepherded the release of “Baptistina” into the world, which itself followed their debut album, “Holy Water Pool,” by less than a year. Now, the Michigan-made music machine is set to lay claim to a new parcel of mountainous terrain, in the form of their latest release on Beyond Beyond Is Beyond, entitled “Matterhorn.”
It’s a relentless pace, made all the more impressive not by the infrequency with which its met by Heaters peers, but rather by the lasting quality of each release. In this way, “Matterhorn” is more of the same—thirty-eight minutes of propulsive, precisely sculpted sonic signatures. In other crucial ways, however, “Matterhorn” represents massive change for Heaters: first, in the form of a largely revamped line-up, and second, in the form of an album whose wave crests above even the band’s previous high-water marks of consistency.
Short of attending group therapy together, it’s difficult to ascertain exactly what contributions these new sparks have contributed to Heaters overall sound, just as it’s impossible to dismiss how utterly ignited by change “Matterhorn” sounds as a result. If “Baptistina” showed a picture of a band attaining greater control
The Fat Angel Sings 