When I first heard the pure voice of Adam Torres, it felt fortifying. Torres’ album “Pearls To Swine” connected me with the human voice in ways that feel intimate instead of filtered or distant.
Torres is an Austin musician whose nine most recent songs were all recorded direct to tape in about a week — but it took a decade to get here. In 2006, he was 20 and living in Athens, Ohio, when he put out a debut called Rostra Nova. To the few who know it, it’s achieved a sort of cult status. Then Torres‘ life took a non-musical course, including volunteer work in South America, then graduate school in Austin, and then a job working on water quality in the Rio Grande River for the state of Texas. He kept writing, but other than a limited-edition cassette in 2012, none of his work had surfaced until now.
The songs on Pearls To Swine are often about landscapes, both physical and emotional. “Juniper Arms,” the song that hooked me on Torres‘ music, is a song about his birthplace of Albuquerque, N.M.
His collaborators on these songs include Thor Harris, a percussionist and instrument-maker from Swans and Shearwater. The gorgeous violin underpinning Adams‘ voice, played by Aisha Burns, is particularly striking in “Outlands.”
We reside in a musical landscape where technology, songwriting and performance are all intertwined. These are creative and sometimes powerful musical times. But Pearls To Swine hearkens back to when songwriting and singing more often leapt from pen and guitar straight to the heart; from Simon & Garfunkel to Sandy Denny, Jeff Buckley to Judee Sill, Nick Drake to Joan Baez.
The Fat Angel Sings 